Preview | JACK & I: THE JACK THE RIPPER MUSICAL (Edinburgh Fringe Festival)

Following the enormous success of hit comedy musical GUIDO!, a reimagining of the gunpowder treason plot and featured on this blog, DhK Productions will be presenting JACK & I: THE JACK THE RIPPER MUSICAL at the Edinburgh Fringe Festival 2014, the second instalment of their trilogy of historical comedy musicals. Having recently also returned from the Brighton Fringe, where they performed WAY BACK, an original comedy-drama set on Beachy Head, to fantastic reviews, they are proving to be one of the most exciting and creative emerging companies in recent years.

As in GUIDO!, the show tells the tale of its eponymous anti-hero, in this case the fabled Jack the Ripper, the infamous Whitechapel murderer of 1888. While a tremendous amount of research has clearly been done by the writing and production team, the story does take certain liberties with historical inaccuracies, and the writer Daniel Henry Kaes freely admits that the lack of hard facts and evidence presented a different challenge to his previous musical: "This is part of the reason we choose to focus on the detective, Inspector Abberline, so that the identity of the Ripper remains not only elusive but also ever-changing, according to evidence and public opinion as the plot develops".

As well as trying to crack this seemingly impossible case, the protagonist Abberline must also cope with his superiors and colleagues at work, the interference of the press, and hisown marital problems, as his public and private worlds clash, in the tradition of classival Greek drama. Former West Midlands actor Matt Lim performs amongst the talented ensemble cast, whose infectious energy and passion make it difficult to ignore what promises to be one of the most original and engaging - and funny, above all funny - productions at the Fringe this year.

With a witty script redolent of Mel Brooks and Python, catchy and impressive music from Kaes and his collaborators, and a plot full of twists and shocks, make sure you "catch the Ripper" before the month is out!

JACK & I plays at C Nova, Edinburgh 1st-25th August (previews 30th and 31st July) at 9pm. Recommended age 14+

Twitter: @dhkproductions #catchtheripper

Review | WICKED (UK Tour) July 2014

The Wicked Witch of the West End is now soaring around the UK and Ireland as part of the hit Broadway musical's first UK tour. For 9 weeks this summer Birmingham Hippodrome is the merry old Land Of Oz, at least you'd think... for Wicked is not so much merry but the darker back-story of Elphaba - the Wicked Witch Of The West and her unlikely friendship with Glinda - The Good. Things are not as they may seem as the musical journeys through familiar territory and then flips it on it's head... and throws a house on it. 

First we meet Glinda, she's the people's favourite, bubbly (literally) beautiful and blonde.... she's the Holly Willoughby of Oz. Played here by Emily Tierney, she masters impressive operatic vocals and is the queen of comic-timing. Her character is able to steal attention from her emerald counterpart Elphaba - played by standby Jemma Alexander at the indisposition of future West End Elphaba, Nikki Davis-Jones. Alexander's Elphaba is promising and shows a clear progression through the evening, coming into her own at the witches climax of evil No Good Deed. The leading ladies final duet, For Good, is a beautiful end to their story.

Liam Doyle is an excellent Fiyero - the perfect casting for a role which has been previously 'celebrity cast', is left to dwindle in the shadow of the two witches - not here. The 23-year-old from Coventry impresses the home crowd with great vocals and a high-energy performance of Dancing Through Life - the perfect prince. Marylin Cutts revels in the role of evil, her Madam Morrible is both cartoonish yet credible as the vociferous villain. Dale Rapley gives a contrasting performance as both Dr Dillamond and the Wizard of Oz. Tragically beautiful, Carina Gillespie is Nessarose, the wheelchair bound, 'normal' sister of Elphaba - her strong performance is matched in charm by George Ure's Boq. 

American accents are lost for what feels a more British version of the show. Wicked has but a few minor alterations from the West End production but you musn't worry about seeing a lesser version of the show, this is essentially the entire West End production and you'd be mad to miss whilst in your local city. An alternative view of Oz that certainly leaves you spellbound! A triumphant touring production that ensures the West Midlands is as good a home for the West End as any. Book tickets for Birmingham dates here. 

Cast List: Emily Tierney, Nikki Davis Jones, Carina Gillespie, George Ure, Marilyn Cutts, Dale Rapley, Liam Doyle, Jemma Alexander, Lee Bridgman, Chrissy Brooke, Richard Carson, Harrison Clark, Jeanine Dinger, Tim Edwards, Howard Ellis, Natasha Ferguson, Zoë George, Lia Given, Katie Kerr, Will Knights, Oliver Metzler, Wendy Lee Purdy, Julienne Schembri, Grant Thresh, Helen Woolf

Review | SHOW BOAT (Cape Town Opera) July 2014

Following the success of Porgy & Bess, Cape Town Opera return to Birmingham Hippodrome this week with their adaptation of the 1927 Broadway musical Show Boat, this incredible production received it's UK premiere tonight.

Set in America’s Deep South, the story begins in 1887 on the Cotton Blossom show boat as it sets sail on the Mississippi River and follows the lives of the performers, dock workers, musicians and stagehands over a period of forty years.

The piece has survived for over 80 years and another revival production is perhaps not what audiences are crying out for - but it should be. It's quite rare to see a musical of this scale - a cast of over 50, orchestra exceeding 30 combining to create a rather special, unique theatrical experience. For this is Cape Town Opera with an incredible South African cast.

This is a lavish production that looks beautiful, a stunning set design by Johan Engles is just the backdrop for an equally as impressive performance.  Graham Hopkins - one of South Africa's best-known actors stars as Captain Andy and is paired well with Anthea Thompson as Parthy. There is a beautiful bond between Magdalene Minnaar as Magnolia and Blake Fischer as Gaylord. Together they exude an uttermost joy. Fun is to be had aplenty whenever Catherine Daymond takes to the stage as Ellie who's Life Upon The Wicked Stage is a distinct highlight. Mention must also go to Nobuntu Mpahlaza who delights in every way as Queenie, also Angela Kerrison who is in fine voice as Julie.

The reason to remember your evening however has to be the many powerful renditions of Ol' Man River that bring the house down in the incredible hands of Otto Maidi. Even after hearing it twice and then three times, Maidi commands every ounce of attention as he bellows out that famous tune.

The whole evening is thoroughly enjoyable and you leave feeling warmed and welcomed, the overriding family themes and expressing of love is unavoidably infectious. This is a pure celebration of traditional vaudeville styles; a colourful explosion of jazz, opera, Charleston and the Black Bottom dance of the 1920's. It is joyous affair that entertains whilst being the first of it's kind to distinctly approach themes of racism against African-Americans, the homogenous opposition to inter-racial marriage. A triumphant transfer from native South Africa to selected cities in the UK, one that you must try to jump on board before it departs us.

See Show Boat at Birmingham Hippodrome until 5th July, book online here.

Watch a short film on the production here:

Review | ANNIE GET YOUR GUN (UK Tour) July 2014

There's no business like show business, there really isn't... take an old Broadway musical about a Wild West show and set a new production of it inside of a Wild West show and what you get is the latest incarnation of Irving Berlin's classic Annie Get Your Gun. This production, from the Ambassador Theatre Group uses a revised book, created by Peter Stone for a Tony award-winning Broadway revival in 1999.

Buffalo Bill's Big Top is now the setting for the entire musical, the whole thing is a show within a show and is beautifully done by designer Paul Farnsworth. A great red and white tent with an orchestra at the perimeters is all that we're presented with, but a simple repositioning of boxes and lighting changes do enough to convince us of a scene change, less is definitely more here. 

It's all rather unassuming, a modest production brings together a fine ensemble who work incredulously hard, they're constantly rearranging set positions, leaping, singing and providing a general sense of energy and enthusiasm to power through the dated story. How anyone at Buffalo Bill's show could have their interest sustained by a woman shooting at balloons... 

That woman of course is Annie Oakley, played here by Emma Williams and she does a lot more than shoot. It's not often that one particular member of a cast shines above all others but Williams is just Doin What Comes Natur'lly to her and impresses throughout with an exciting presence and perfect voice. 

Jason Donovan is Frank Butler and does enough to please fans but you can't help but think that Jonathan Wilkes, who plays the role at selected performances, may be better cast as the love interest of young Oakley. Donovan does however lead some great chorus numbers with the male ensemble, chorus routines which are perhaps the stronger moments of the show. Norman Pace is a fun addition as Buffalo Bill. There's a sweet romance between Lorna Want as Winnie Tate and Yiftach Mizrahi as Tommy Keeler that is most endearing, you wish there had been more written for them. 

In all, the feel good factor remains, even if not the relevance. It is nice to see one of the older classics return to the stage in a charming revival production. It's hardly groundbreaking but then I guess there's only so much you can do now with a 1940's musical - this is probably as good a production as you're going to get. A popular one with the amateurs, this is far from something you'll have seen last summer at the church hall, it's beautifully reimagined. Emma Williams shines in a charming production at Birmingham New Alexandra Theatre until Saturday 5 July. Book tickets online here. 

Watch the trailer below:

Cast List: Jason Donovan, Jonathan Wilkes (at selected performances), Emma Williams, Norman Pace, Dermot Canavan, Ed Currie, Kara Lane, Yiftach Mizrahi, William Oxborrow, Lorna Want, Ste Clough, Matthew Dale, Natalie Day, Flo Fields, Sarah Galbraith, Jonny Godbold, Hannah Grace, Katie Marie-Carter, Oscar Francisco, Theo Gilbert-Birch