JACK AND THE BEANSTALK (Swindon Wyvern Theatre) Review December 2013

It may only be a 635 seat venue but the Wyvern Theatre in Swindon always celebrates the festive season with a giant pantomime... appropriately so this year with a thrilling production of Jack And The Beanstalk. Once again, Qdos Pantomimes and One From The Heart combine to create Swindon's ultimate festive attraction. 

For a third year, Keith Chegwin returns in a madcap role, Billy this year... and he is silly! Cheggers' entrance is met with a wall of sound and boy it's loud! There's a warmth that Keith exudes and a strong connection between him and the townsfolk of Swindon, it's clear to see why he's welcomed back. However, you're not going to get off lightly by sitting back with a packet of Maltesers when Cheggers is involved... standing up, shouting, screaming, pointing, singing... the lot... and you do it... I was shimmying with someone's granny at one point! Complete and utter madness from start to finish but you'd search for a lifetime to find someone who does panto better than Cheggers. 

David Ashley, Keith Chegwin and Samuel Parker

Also returning to the Wyvern this year is David Ashley who's Dame couldn't be further from last year's villain Abanaza. A complete contrast, here we have an experienced dame - not a bloke in a frumpy frock harping on about a dead husband for two hours... of course there's the necessary amount of that but also a plethora of witty one-liners and clever audience participation - a credit to the writer Simon Aylin. 

Jennifer Greenwood makes an excellent fairy - Fairy Nuff who impresses with a rendition of Defying Gravity to close the first half, a spectacle to rival that of Wicked. Simon Wegrzyn is a very strong Fleshcreep who flits in and out of Childcatcher mode and Riff Raff from the Rocky Horror Show and  is excellent at sustaining a riotous booing. Andrew Whitehead is a great addition as the bumbling old King Manypence and Maria Holmes proves to be a tuneful Harp.

Jennifer Greenwood as Fairy Nuff

Samuel Parker is hero Jack and is every bit the man the young boys in the audience want to be. Laden with an axe and belting out hits of One Direction he's a pretty cool dude! Hollie Evans completes the pairing as Jill perfectly and brings the show into a more tender tone with her beautifully sung solo. 

Joanna Goodwin is perhaps the unsung hero of the show, as choreographer she has put together the ultimate team of dancers. Swindon pantomime always has a strong ensemble and the team of second and third year students from Laine Theatre Arts are as ever the consummate professionals with boundless energy throughout. Exciting tap routines are rare in most shows other than 42nd Street but here it's all on show, even Cheggers manages to fit in a few wings! Daisy the cow can also tap dance... who knew!? "Lainey's" are often the ones to look out for and this bunch are destined for a fine future. 

Keith Chegwin as Silly Billy with the ensemble.

Musical Director Robert Rayner is on fine form and great musical supervision from Ben Kennedy once again delivers the perfect blend of revised chart hits and some great but lesser known pantomime songs - even a Chegwinised version of the Friends theme tune is thrown into the mix!

Another unmissable family pantomime that prides itself on giant production values and prices to suit all pockets - so you won't have to sell the family cow to afford tickets! Be quick though - they're selling fast and the pantomime runs until Sunday 5 January 2014. You can book tickets by visiting the box office in person, calling 01793 524 481 or online here. 

Listen to the entire pantomime podcast coverage of interviews throughout the rehearsal process:

Cast List: Keith Chegwin, Simon Wegrzyn, Jennifer Greenwood, Samuel Parker, David Ashley, Andrew Whitehead, Hollie Evans, Maria Holmes, Aaron Jenkins, Reece Kerridge, Billy Mahoney, Zac Watts.

Related Articles
Press Launch Coverage
Interview with Keith Chegwin
Aladdin 2012 Review

CATS (UK Tour) Interview with Ben Kennedy

Based on T.S Elliot's 'Old Possum's Book Of Practical Cats', Andrew Lloyd Webber's record-breaking musical Cats is about to embark on a UK tour. Premiering at the Edinburgh Playhouse on 9th February the tour plays it's first English venue in Wolverhampton at the Grand Theatre for two weeks beginning 19th March.

With an impressive back-catalogue that includes Hairspray, We Will Rock You, Wicked, Love Never Dies, The Wizard of Oz and most recently the UK Tour of Wonderful Town and the Wyvern Theatre's pantomime Aladdin, Assistant Musical Director Ben Kennedy is excited to be bringing Cats back to the Midlands where he grew up.

"I lived in Codsall all of my life so I've been to the Wolverhampton Grand Theatre on many occasions - from an audience member watching shows during my teenage years and more recently as a pit musician working on the touring shows which I started doing in 2007. I'm delighted that Cats is coming to the Grand for two weeks and I'm sure that Wolverhampton audiences will be delighted with the show!"

Cats ran for exactly 21 years in the West End between 11th May 1981 and 11th May 2002 and is currently back in London for the rehearsal process of a brand new tour.

Rehearsing Skimbleshanks The Railway Cat.

(Photographs by kind permission of Joanna Ampil.)

"Rehearsals are going very well at the moment, we currently have only one week left in London before we move up to Edinburgh for tech week and dress rehearsals at the Playhouse Theatre. A typical day in the rehearsal room starts with a thorough physical warm-up so that all of our company are totally prepared to work on the show, which is one of the most physically demanding shows in the musical theatre genre. We then do a vocal warm-up (as the show is also a demanding sing!), before starting work on the show itself.

We spent the initial part of the rehearsal period working on different sections of the show and putting all of the choreography together and learning all of the music. We are now at the stage of running the whole show - which is such an exciting part of the process!"

Cats has not only broken long-run records in the West End (21 years) and on Broadway (18 years) but has seen productions across the world including Madrid, Zurich, Sydney, Warsaw, São Paulo and Budapest to name but a few. The show has been translated into 10 different languages including Japanese however the show's title has rarely been changed. The Mexican people voted unanimously in favour of keeping 'Cats' as opposed to translating to 'Gatos'. The show has not only been presented in theatres but in tents in Japan and Korea as well as an engine shed in Switzerland. Perhaps the most recognisable version of the show however is the film version recorded at the Adelphi Theatre and released in 1998 starring Elaine Page and John Partridge. Fans should be pleased to discover the 2013 UK tour stays loyal to the much-loved favourite. 

"This is very much the Cats everyone knows so well. Chrissie Cartwright is directing and choreographing the production, bringing Gillian Lynne's brilliant original choreography to the stage once again. We were very lucky to have Gillian visit us in rehearsals this week, which was inspirational to all of us."

Cameron Ball rehearsing as Macavity. 

"Cats is such an exciting score to play. Firstly, as there are no dialogue scenes we are playing throughout the entire show, so we are kept very busy indeed. Secondly, Andrew Lloyd Webber has incorporated such a great variety of musical styles into the score that each section has it's own challenges. The result is a gripping piece of musical theatre, and demands a high level of continued concentration throughout. A good amount of the music in the show accompanies detailed choreography so we have to be totally focussed in order to give the company the perfect tempi, musicality and phrasing at all times. As Assistant Musical Director I get not only the pleasure of playing the beautiful score but also conducting one or two performances each week - which I'm looking forward to immensely!" 

Dance rehearsals require extreme precision. 

Cats has featured many well-known and much loved theatre stars in it's time including Elaine Page, Wayne Sleep, Bonnie Langford, Paul Nicholas, Brian Blessed, Sarah Brightman, John Partridge and Louie Spence. This brand new tour also has it's share of stars as musical theatre favourite Joanna Ampil leads as Grizabella. Joining Joanna is Les Misérables' Oliver Savile as Rum Tum Tugger, Nicholas Pound as Old Deuteronomy, Joseph Poulton as Mr Mistoffelees, Cameron Ball as Macavity and Katy Warsop as Rumpleteazer. 

You can book tickets to re-live the memory of Cats at the Wolverhampton Grand Theatre from 19th - 30th March online here.

ALADDIN (Swindon Wyvern Theatre) Review December 2012

You may be forgiven for believing you're in Swindon but in fact you're taken far away to the Oriental town of Swinyon for this year's production of Aladdin. Fronted by TV funny-man Keith Chegwin this intimate theatre is filled with magic and a welcoming charm.

The star-crossed lovers are West End star of Hairspray and We Will Rock You Lauren Varnham as Princess Jasmine and Liam Ross-Mills as Aladdin. Having seen Lauren countless times in both of her recent West End appearances I knew she would be more than up to the job. She proves to be the perfect princess in appearance, character and her vocals are second to none. Equally as charming is Aladdin, Liam Ross-Mills makes a wonderful lead and his version of A Whole New World whilst floating around the stage on a magic carpet is one of the many highlights.

Keith Chegwin has bundles of energy and is excellent at enthusing the audience. He has great accuracy it seems as not only did he spray a water gun jet directly into my face, but threw my favourite Quality Street chocolate straight into my lap. It was the strawberry one...

David Ashley is the evil Abanazer and proved quite scary when he entered the auditorium next to a nursery school group. The musical theatre veteran showcased his skill honed during his time in Starlight Express and one scene involved him roller skating around the stage. A classic and perfected baddie! Nick Barclay is a pleasant contrast as the the bumbling Emperor.

Widow Twankey isn't the most glamorous of dames, she has a bra that was meant to hold three and  works in a laundry shop, bless her, but Ian Mowat particularly in the Born This Way routine proved that there is a diva within her who's outfits are some very colourful creations. 

The glitz and glamour comes in the shape of Suzie Chard who presents an Essex-girl Genie, who sparkles and shines her way through. Her charisma fills the stage and even during moments of uncertainty after an incident with a pyro she carried the scene through to the end smoothly. The cave scene is another show highlight that begins with a rendition of I Am What I Am with backing from the Laine Theatre Arts ensemble - Jabari Braham, Michael Lin, Thomas Russell, Seren Sandham-Davis and Zac Watts.

The musical arrangements by Ben Kennedy are a delight, there is a mix of chart and musical theatre. Direction and Choreography by Andrew Wright is to the highest standard as expected with recent work including Singing In The Rain (Palace Theatre) the UK tour of Wonderful Town and a revival of 42nd Street (Chicester Festive Theatre and the Curve, Leicester). Additional choreography for the show is provided by Aaron Renfree, also a Laine's graduate. Aaron's choreography is always fresh, exciting and current and it is great to see that in such tradition-bound pantomime theatre.

Aladdin runs at the Swindon Wyvern Theatre until Sunday 6th January 2013 and you can book tickets here: https://wyverntheatre.org.uk/Online/default.asp?doWork::WScontent::loadArticle=Load&BOparam::WScontent::loadArticle::article_id=35166970-7B07-47FF-9EE1-5CFF13B5C8E9 or by calling the box office on 01793 524 481. 

WONDERFUL TOWN (UK Tour) Review May 2012

I didn't quite know what to expect from this lesser known Broadway musical. 'Tony Award Winning' gave it some hope, but I've come to learn that if you don't like it, it's awards are irrelevant to your enjoyment. 

I'd heard very little of this musical so approached it with an open mind. I'm a little wary of older musicals, I think you either get it right or they're a giant borefest. Wonderful Town got it right.

Length is a slight issue with the show, I'm not a particular fan of long overtures, but this one was varied enough to keep interest. The score throughout was as wonderful as the wonderful town itself. Act I ran for 90 minutes which however good something is, that's a long time to be squashed into a theatre seat next to a stranger unwrapping humbugs incessantly. Act II was shorter and faster paced (and Mrs Stranger had finished her humbugs in the interval - result!)

As the gauze raised we were presented with a chorus of cheery American folk going about their day on Christopher Street. Simon Higlett's set is strikingly colourful, the scene transitions are both fast yet artistically done, it's very clever. 

The choreography of Andrew Wright is by far the best I've seen for quite a while. It captures the spirit of this ageing musical but in a fresh, dynamic and exciting way. It's perfect. It reminded me exactly why I love musical theatre - the energy, the campness and the enthusiasm was through the roof. 

Standout performances from Lucy Van Gasse as Eileen and Michael Xavier as Bob Baker were great to watch. Both gave an incredible show attacking Bernstein's score with much power and secured audience attention with their portrayals of both characters. Also, Tiffany Graves made a fantastic Helen and I felt she was much more at home in Wonderful Town than as Killer Queen on the 2011 UK tour of We Will Rock You. Of course, Connie Fisher from TV's How Do You Solve A Problem Like Maria was a delight as Ruth. 

This is definitely one to watch when the tour visits your own wonderful town. 

The tour runs until 7th July 2012 and plays at the Birmingham Hippodrome until 26th May. 

Website: http://www.wonderfultown.co.uk/