Showing posts with label Mark Evans. Show all posts
Showing posts with label Mark Evans. Show all posts

Wednesday, 1 August 2012

DRESS CIRCLE: The End Of An Era.

"Tell me it's not true, say it's just a story..."


Dress Circle, Monmouth Street, heralded as "The Greatest Showbiz Shop In The World" is exactly that, and news of it's closure is a devastating loss for the West End. The delightful shop has been trading all things theatre for 33 years and was open for years before some of our longest running musicals, Phantom Of The Opera and Les Miserables. It began in 1977 in the lobby of the Drury Lane Hotel, soon moving to Covent Garden market before taking residence on Monmouth Street. For many, losing Dress Circle will be just as big a deal for London as would the closure of Phantom or Les Mis, musicals that have shaped our West End, just as this shop has. 

I just wanted to reflect on what has made Dress Circle a much loved part of London and why it's uniqueness will be sorely missed. 

The downturn in the economy is to blame, tragically, a shop representing our theatre world is just not big enough to compete with giants such as Amazon and the download practicalities of iTunes. It such a shame, it's not what the public want, it's not what the staff want and so sad that it must close. I'd much rather have a signed cast album than an iTunes download any day, it's much more special and personal.  It is something Dress Circle have specialised in and at no extra cost to the RRP.

(Jill Halfpenny, Alex Gaumond, Sheridan Smith and Duncan James at the Legally Blonde cast album signing.) 

Dress Circle has not only been a promotional tool for the big musicals who often hold cast album signings in-store but for raising the profile of up-and-coming musical talent such as Chris Passey and Tim Prottey Jones, both Midlands talent taking London by storm. This is the shop to give their work a home, somewhere to launch it from, somewhere credible. Stuart Matthew Price brought out his solo album and through Dress Circle was able to sell it to customers who were otherwise unaware of it. 

(Chis Passey (front) and Tim Prottey Jones (far right) with Lauren Samuels, Ross Hunter, Stevie Webb, Simon Lipkin, Zoe Rainey, Jeremy Legat and Allyson Ava-Brown) (Photo by Roy Tan)

Dress Circle is also notably famous for it's stock of show merchandise. Where else can you get a Mary Poppins umbrella from the production which closed in 2008? Dress Circle for me came in most useful when Billy Elliot ran out of t-shirts at the theatre, I really wanted one. I went to Dress Circle and there they were - you could always count on that. I also find it useful for buying my Broadway cast recordings that aren't often released in the UK. It's rare stock is something the shop offers unlike anywhere else. A reasonably priced import of the Sister Act Hamburg cast recording? The 1994 Original UK Tour Little Shop Of Horrors cast recording? Priscilla Queen Of The Desert programme from the Milan production? Without a doubt Dress Circle, unlike anyone else, brings theatre all over the world together in London.

(Barry Manilow, a customer since the early 80's,  CD signing in store) (Photo by Roy Tan) 

Having trouble with finding sheet music for auditions? Dress Circle was also the place to go with an extensive catalogue downstairs. Even West End legend Kerry Ellis says " Dress Circle has been a part of my life for many years from way back when I was buying sheet music for my auditions." The Queen Mother would even telephone order her Noël Coward recordings from the store. 

(Mark Evans signing in store) (Photo by Phill Cowndley)

Musically talented or not so, famous or not so, but enthusiastic about theatre the variety of customers (myself included) will undoubtably miss the store, but perhaps the silver lining is that it will live on, online. The internet is not just for porn Trekkie Monster, but for helping Dress Circle survive long after its Covent Garden store closes its doors. I am a regular visitor to the website and purchase all my new cast recordings and albums from there. Dress Circle's postage is second to none, you don't get such a speedy delivery from Amazon without seriously paying! An online store will not be the same, but I do hope that it will continue to offer signed and rare goods that are difficult or impossible to get anywhere else. 

That is just my account, I'm sure everyone has many other stories to be told about their experiences in-store, and you should share them too. 

To owner, Murray Allan, and to all the staff past and present, thank-you for giving us this wonderful store for so long, to Stuart Matthew Price and James Yeoburn for the benefit gala that helped raise awareness of the store.  

Visit www.dresscircle.co.uk and continue your support. 

Friday, 11 May 2012

GHOST THE MUSICAL (Piccadilly Theatre) May 2012


This was my third visit to Ghost The Musical. I think it's worth reviewing at this point as the show has undergone it's first cast change. Since opening in Manchester and transferring to London last year this April saw Richard Fleeshman (Sam) and Caissie Levy (Molly) transfer to the Broadway production. Mark Evans and Siobhan Dillon replaced them in London in January and the new ensemble in February.

Evans and Dillon are suitable replacements to Fleeshman and Levy, both of whom bring their own style to the roles. I found that both of new leads provide a more "musical theatre" tone to the songs than the rockier originals. But this is musical theatre and so it still works. 



The jewel of this whole production is Sharon D. Clarke as the psychic Oda Mae Brown. In the role made famous by Whoopi Goldberg in the 1990 film, Sharon D. Clarke manages to bring her own crazy characterisation to the stage. Her powerhouse vocals are enough to blow the roof off and both of her songs prove the much-needed comic relief to the show.

Understudying the part of Carl Bruner in replacement of Andrew Langtree was Paul Ayres. He gave us a great portrayal of Sam's 'best friend' and really captured the sinister twist in character with perfection.

Another performance worthy of note is Lisa Davina Phillip who provides comedy gold as Oda Mae's sister Clara. 

The illusions are expectably less exciting after a third viewing. The walking through doors and appearing from nowhere still work well. The letter opening also remains a point of amazement. The scene in which Carl is being punched and shoved by the invisible Sam is a little sloppy in that the workings of some of the 'illusions' are left on show to the audience. Also the lighting reveals the 'secret' as to how characters float away once dead. 

Ghost remains a spectacularly impressive show and one definitely worth seeing, even if for the set and illusions alone. Anything Sharon D. Clarke is in is always worth the money. 

Booking until 20th April 2013. Monday - Saturday 7:30pm, Thursday & Saturday 2:30pm. 
Tickets: £67.50, £45, £25 (Premium Seats £85) (Dayseats available Monday - Thursday performances at £25 on the day of performance at the box office.)


(With Sharon D. Clarke after the performance)