Showing posts with label Rock Of Ages. Show all posts
Showing posts with label Rock Of Ages. Show all posts

Tuesday, 13 May 2014

Review | ROCK OF AGES (UK Tour) May 2014


The 80's... the decade of power ballads and rock Gods … there was bound to be a musical about it and what is currently the 30th longest-running show on Broadway started life in Los Angeles 2006, transferred to Broadway in 2009 and West End in 2011 - Rock Of Ages is now playing cities all over the UK as part of a major tour.

The musical follows Drew (Noel Sullivan) who we meet in The Bourbon Room club, dreaming of being a rock star. He immediately falls for Sherrie (Cordelia Farnworth) who confuses his shyness as disinterest and has a fling with the vainglorious lead singer of rock band Arsenal, Stacee Jaxx (Ben Richards), it all goes wrong, it all rights itself... it's sex, drugs and rock and roll. 

The plot falls, overpowered by the string of hits - it's probably for the best as it doesn't allow for too much investment in the characters, there's nothing too deep as to discover more about them or time to see them do little more than sing, but they own up to that. This isn't a musical to lose yourself in, it's two and half hours of rollocking rock! 


Noel Sullivan impresses as Drew, he returns to his We Will Rock You roots here and is just as comfortable strutting, head-banging and belting out rock ballads than he was in a recent role, skipping around in showgirl tits and feathers in Priscilla Queen Of The Desert. He proves to be an accomplished, versatile performer. Ben Richards is suitably sexy, seductive and everything you'd expect of a lead singer in the role of Stacee Jaxx. Rachel McFarlane as Justice Charlier is a great addition, she's like the Killer Queen of rival rock musical, strutting around in a long coat and sparkly corset - she can belt, yet perhaps the more tender Every Rose Has It's Thorn is one of the show's highlights. 

Jessie May makes a great Regina, coupled with the comedic Cameron Sharp who relishes the role of camp German, Franz. They receive the best reaction with Hit Me With Your Best Shot - a surprise reveal and a long overdue rousing of the audience to whom Stephen Rahman-Hughes' emcee Lonny is a firm favourite. There's an energetic ensemble lead by dance captain Russell Smith and a whole-cast finale of Don't Stop Believin' brings the house down, the band are excellent.

It's all tongue-in-cheek, it's all cheesy but ultimately it's fun. If nothing more, Rock Of Ages is a great opportunity to just let go and rock out with an incredibly impressive West End cast. Get your air guitar, and head for New Alexandra Theatre Birmingham to rock until Saturday 17 May - book tickets here



Cast List: Ben Richards, Noel Sullivan, Cordelia Farnworth, Daniel Fletcher, Stephen Rahman-Hughes, Rachel McFarlane, Jack Lord, Cameron Sharp, Rakesh Boury, Imogen Brooke, Abigail Climer, Tom Andrew Hargreaves, Jessie May, Stephen Rolley, Kylie Michelle Smith, Russell Smith, Chris Southgate, Charlotte Anne Steen, Tara Verloop.

Related Articles
Interview With Cameron Sharp

Monday, 21 October 2013

INTERVIEW with Cameron Sharp - October 2013


Midlands-born performer Cameron Sharp has had a rollercoaster few months. From graduating Mountview Academy and being signed by The Markham Agency to appearing as John in Axe: The Musical, a vocalist in West End Heroes at the Dominion Theatre and now a lead role in the West End production of Rock Of Ages. I spoke to Cameron about his whirlwind experiences so far.

How have  the last few months been for you?
Having finished my training at Mountview and playing some great roles in my 3rd year (‘Isaac Tallentire’ in “The Hired Man” and ‘Nicely-Nicely Johnson’ in “Guys and Dolls”), I left after showcase and was signed by The Markham Agency, who I couldn’t ask any more of and have been brilliant for me over the past months. My first job was playing a part in a tongue-in-cheek musical for the international conference of the company ‘Unilever’, but more specifically for ‘Axe’ (or ‘Lynx’ deodorant as we know them in England). That was a really bizarre, yet fun experience (and corporate gigs are nicely paid), so gave me a nice springboard from leaving Mountview into working with professional actors, MDs and Directors.

And then you got into the London production of Rock Of Ages with very little time to rehearse. How did that come about for you and how were the rehearsals?
I went along to the auditions, but had to dance first as I’d missed the first round. I’m a much stronger singer and actor than dancer, so I thought this might blow my chances straight off, but I was successful in each round. Then, the night before the final round, Rock of Ages was handed its closing notice and the auditions were pulled. I gave up any chance of being involved at that point (after a day of moping around and cursing the industry), but was contacted a day later and told that somebody still had to leave, so asked if I would like to come back in and be seen for alternate Drew/Swing, with the contract being 9 weeks, including rehearsal. Obviously (especially after how gutted I’d been the previous day) I was over the moon. I did a few days one-to-one work with the Resident Director/Choreographer and MD, and then got presented to the producers and casting director... and I was lucky enough to be offered the job. The feeling when you finally receive that offer is like nothing else (especially after getting to quite a few final rounds and missing out a few times like I had in the previous months).


Cameron as Franz, Drew and Joey Primo

I missed my graduation ceremony because of rehearsals for Rock Of Ages; they were incredibly intense – firstly because of the sheer quantity of material. I had to learn four different ‘tracks’, one of whom is a lead in the show, one a fairly large supporting role, and all of whom have lines and featured moments, as well as all of the ensemble dances and numbers. They were also difficult because it was only me being rehearsed into the show, so all of my days were just me and the Director or MD. Working one-to-one for that many hours is exhausting. Usually you take a few minutes to switch of your brain, or write down what you’ve done so far while somebody else is being focused on, but I never had that chance. Fortunately, the creative team here are brilliant and very personable and approachable, so it ended up actually being a great laugh and a really fun few weeks, even with all of the stress running alongside it.

I was a huge fan of the show anyway, before any involvement, and had already seen it 4 times since it opened, so for me it really was a dream to be involved, and the thing I found the most exciting was rehearsing on stage every day and getting to know the ins and outs of the set and staging! I felt like a fan being given the ultimate opportunity to nose around and actually take part in something I’d usually stare at with admiration and amazement!



Visit Cameron's website: cameron-sharp.com

ROCK OF AGES runs at the Garrick Theatre, London until 2nd November 2013, visit the website here to book tickets. 

Thursday, 8 August 2013

INTERVIEW with Zizi Strallen - August 2013


If you've seen a West End musical recently, the chances are that you've come across one of four talented sisters. The Strallen's - Scarlett, Summer, Zizi and Saskia have all followed parents Cherida and Sandy and aunt Bonnie Langford into a career in the limelight. I chatted to Zizi about her experiences so far.

So you've found yourself teaching workshops and sharing your expertise to youngsters as part of West End Experience. How did that come about for you? 
Well... I actually fell into it by mistake! I wasn't originally one of the tutors, my friend Amy Thornton was set up to do it but she got a last minute offer to be dance captain in Matilda and so she called me and said "Zi, I can't do these workshops now, will you go and do them...?" and I thought sure, it sounds fun! We were both in Rock Of Ages together, we both had to do the same choreography so fortunately I can offer the same workshop!"

How is it for you, at such a young age yourself being able to give back your expertise to young and aspiring performers?
Even though I am so young still I've been working in the West End since I was 16 so I've got years of experience to pass on to them already. The main thing I always say is it's all about confidence - the best thing to do is believe in yourself and tell the audience that through the way in which you perform. 

And how are the children of Wolverhampton getting on in your workshop? 
The children of Wolverhampton are amazing! They're great and they've not been talking! Usually when you have quite a large group of children to teach they'll all chit chat and you have to stand there for five minutes and wait for them to be quiet. I was worried because I've got an audition coming up and I didn't want to overuse and lose my voice but I've had no problems. The children are great at picking stuff up, they've been so good at learning the choreography and haven't moaned about doing it over and over and over again, they're really eager to learn which is lovely. The thing is with the songs of Rock Of Ages you can't just stand there and sing them - they're really full on and involve lots of energy. 

You've just finished in Merrily We Roll Along and that took the West End by storm - what was that like for you?
It was an amazing experience, I loved it, but originally I didn't really know what I was going up for. I'm not really familiar with many Sondheim shows, I knew a couple of the songs so I went for it and as far as we were concerned at the time it was just going to be a three month run at the Menier Chocolate Factory and then as the show went on the run had completely sold out and there was a great buzz about it! There was this talk that it was going to transfer to the West End and we just expected to finish at the end of February and we finished at the end of July! It was incredible and such an amazing job to be involved in and part of the hype of it. More or less every night we had somebody important coming in to watch it like a director or a casting director or a TV or film star and above all it was just great to do!

What's been your favourite production that you've been in? Or highlights from a few favourites?
Oh this is difficult...! I've been lucky that everything I've done has been so different and varied. My first job was Music Man in Chichester at the Festival Theatre. It was very prim and proper, American accent, blonde wig and I played this really annoying young girl and I had to walk around saying "Ye Gods!" all the time! Then completely different I went into Dirty Dancing and I had to be really sexy and I learnt all this Latin and Ballroom and then I got to carry on dancing by spending a year in Matthew Bourne's dance company and you know what that's like compared to the next job in Rock Of Ages which was thrashing about  - completely diverse career! It's hard to pick a favourite, I've loved it all! 

Are there any productions or roles out there that you'd love to have a go at in the future?
Two of my favourite roles that I could see myself in are Louise in Gypsy and Bianca in Kiss Me Kate... ooh, and maybe Sally Bowles in Cabaret ... but I've just missed out on that time-wise with the new tour!

Zizi and sisters Summer, Saskia and Scarlett (Photo: broadway.com)

What was it like growing up as a Strallen... all singing, all dancing?
Haha, for me it's just normal! That's the thing... I've never known anything else but I can imagine for other people that sounds quite full on. My whole childhood has been around theatre and it really is all I've ever known. That's not to say it's all we ever talk about either, my parents always said to us "keep work work and life life..." They told us not to always bring work home and they really encouraged us to find other hobbies and talk about the news and whatever... They were very particular about that because with our entire family involved in theatre all any of us would have talked about is what was going on on stage or who was annoying who in the dressing room! 

Was there any chance at all that you may have taken a different career path at any point or was it purely theatre that you wanted to do?
Yeah, it's interesting you should say that because when I was eleven and leaving primary school my teacher said to my parents that I should try and get in to this really academic school and at the time I thought "oooh, I don't know about that..." but I went for it anyway and of course I got in didn't I, which really made me want to go - so I did! Basically I was being groomed to be a lawyer... I lasted two terms and then I was like no I can't do this any more it's horrible - I can't do any more maths my brain's going to explode! My two older sisters Scarlett and Summer had gone to Arts Educational in Chiswick and I managed to get a grant from the borough to go there so my parents took me out of my academic scholarship which I'm sure they hated doing! My dad always wanted me to do something normal because he knows how hard this business is and he said "go and make lots of money and do something normal...!" but none of us have! 

So with your older sisters being so successful do you feel a pressure now to live up to the family name and expectation?
I'd be lying if I said I didn't! My sisters and my family have never ever put any pressure on me or each other but I do feel that there's an expectation before I walk in a room. If I was having an off day or just a bit ill, to those people on the panel I'd probably seem particularly bad! When you hear the name Strallen you have a particularly high expectation straight away so if I didn't give it my absolute best or I was a bit iffy that day they'd most probably assume I'm the rubbish one out of us all! But hopefully I live up to the name!"

So what would be some sound Strallen advice that you would give to aspiring musical theatre performers out there?
Don't do it..! Haha, no I'm joking... I would say just keep working. There is nobody that succeeds in this business who hasn't worked their socks off to get there. You have to keep going to singing lessons and train your voice - even when you're professional you can always get better, you can always learn and there are always things to improve. So if you haven't been to a singing lesson in a while - go! Go to your dance classes every day or as often as possible. Keep working on improving yourself and strive to always be the best you can be and then you're improving your chances of a career doing what you love and what you dream of - go for it!

WEST END EXPERIENCE (Wolverhampton Grand Theatre) Rock Of Ages Workshop


This week West End Experience and Wolverhampton Grand Theatre are providing local youngsters with the opportunity to rehearse and perform like a West End professional. The week-long summer school really is the ultimate West End musical theatre experience with with top industry professionals visiting cities all over the country sharing their knowledge and expertise with aspiring performers. 

The programme is co-ordinated by Craig Whiteley who graduated from Mountview Academy with a 1st class BA Hons degree. Craig played Doc in CR7 for the BBC and made his West End debut in the 50th anniversary year of The Mousetrap playing Giles and Trotter. He then went on to play Eddie in Blood Brothers both on the national tour and in the West End. The dance is overseen by Daniela Valvano who trained at Bird College. Her recent credits include understudying the roles of Magenta, Columbia and Janet in the UK tour of The Rocky Horror Show, as well as in Singapore. Daniela was also Carmen Diaz in the Dutch national tour of Fame and Miss Carmichael in the world premiere of The Thorn Birds, a musical. 

Leading today's workshop for the youngsters was Zizi Strallen from the original London cast of Rock Of Ages

Zizi in the original cast of Rock Of Ages with Shayne Ward. (Photo by Bettina Strenske)

At 10am the older students sang through "Here I Go Again" - a song from the musical which they had learnt earlier with musical director Charlotte Fane. Some had solos, others provided backing vocals but the voices filled the room with rich harmonies - a powerful sound! One thing was clear, they were all very enthusiastic. After learning the routine from Zizi the students quickly put everything together towards a pretty polished performance. Reminding them that they were in an 80's rock bar, Zizi had them strumming air guitars all over the room with "rock star swagger" as the original choreographer called it. 

It was soon the younger group's turn to sing Don't Stop Believing for Zizi. As before, choreography from the show was given to them and within the hour there was another finished routine. The students had a natural ability for picking up their direction. Energy and focus came from everyone - a dedicated team working towards a concert on Sunday 11th August. 

Grace Gull from Codsall is now taking part for her fourth year: "It's absolutely amazing. The West  End Experience has been running in Wolverhampton for four years and I've been to all of them. This year has to be the biggest and best one yet. It's more challenging and even more demanding - which is great! My favourite workshop so far has been the A Chorus Line with Rebecca Giacopazzi who is dance captain for the show at the London Palladium. We learnt the routine for I Hope I Get it. As well as this week's experience I am in the theatre's Grand Circle Adult Choir which launched this year and I help at the Grand Ambition youth choir which is now in its third successful year. I'm really looking forward to the show on Sunday, I can't wait to perform the A Chorus Line section and sing some harmonies with the professional performers in the Circle Of Life!"




Grand Theatre Education Officer Louise Bent commented: “West End Summer School is now in its third year at the Grand and it gets bigger and better every year! It’s the most amazing opportunity for local young people to work with the professionals behind some of London’s biggest musicals. Everyone has a great time and talks about it for weeks afterwards - it really is the highlight of the summer for our young theatre fans!

Co-ordinator Craig Whiteley added: "This is my 3rd year of bringing the West End Summer School to Wolverhampton Grand. It is my favourite date in the diary as the kids here are so respectful. They eat, sleep and breath theatre. I previously performed at The Grand with Blood Brothers and from the hundreds of venues on tour it was - without a doubt - the best atmosphere so I just love coming back. Our aim is to feature every child in our concert alongside the stars and we treat the students like professionals which helps us achieve a fantastic final product. The course builds confidence and is a lot of fun. It shows the students how difficult and how rewarding a career in professional theatre can be. You work hard and you get results, you get rewarded!"


You can book tickets to see the concert at the Wolverhampton Grand Theatre that culminates the hard work by the whole team. Featuring songs from The Lion King, A Chorus Line, Oliver, Rock Of Ages sung by the students and industry professionals. The concert is on Sunday 11 August at 7pm and you can book tickets here.

For more information about the fantastic scheme of West End Experience, visit their website here.

You can also find information about the theatre's Get-In! youth scheme with activities all year round, special ticket offers and exclusive opportunities here