Review | LORD OF THE FLIES (UK Tour/IDFB) May 2014

Three years on from the original project developed by New Adventures, Lord Of The Flies is reborn... or maybe that should be Re:Bourne. The emerging talent programme from Matthew Bourne's New Adventures aims to nurture and support young people with a passion for movement. The idea is to break down possible perceptions that dance is often seen as unfathomable, elitist, over technical and intimidating, all whilst creating an inspiring piece of theatre, of course.

Choreographed by Olivier Award-nominated long-term company member Scott Ambler, this rework of William Golding's Lord of the Flies features professional dancers and 24 local boys. No longer set in the desert island, this appears to be some mystical world within the theatre itself. You come to expect with any Bourne production that the obvious is disregarded. 

The lights crash out as a mass ensemble of smartly-dressed schoolboys enter. At first it's perhaps a little overwhelming, there's a lot going on and so much to look at but that's particularly important to the projects aims. Throughout the piece a 24-strong ensemble are featured just as much of the smaller cast of professional dancers. They're not support or backing just to fill out the space, they're very much involved and expertly take on Ambler's thrilling choreography. At first they're great at the synchronised movement but as the plot twists and darkens these boys that had first enjoyed freedom turn savage and it's especially interesting once given the opportunity for greater experimentation of movement.

The freedom and opportunity for creativity is perfect here, for it's there within the story. It's one that is relevant to young boys and they are much more likely to identify with this than some fluffy fairytale. The whole piece is cleverly conceived - it becomes difficult to distinguish between professional and local dancers, it's edgy, it's rough, it's nothing like you've seen before, but it works and music by Terry Davies is compelling - almost hypnotic. The original story is excitingly reimagined in a style that's most unique, a blend of ballet, contemporary and an imagination native to this company. The excellent local ensemble are lead by professionals Jack Hazelton as Maurice and Danny Reubens as Jack who, with extreme strength and skilful storytelling ability command the stage and on many occasions leave you transfixed. 

60 years since the original publication of the novel, it's perfect timing for a celebration. Not only a celebration of the classic tale but of the boys, all of whom will be the minority in their dance classes  and here they're given their time to shine and what better stage than at Birmingham Hippodrome. By the curtain call, it was most clear that this was something very special to both the cast and the audience of almost full capacity. It's madness, it's genius and a difficult experience to sum up. Go and see it and you'll understand. See Lord Of The Flies at Birmingham Hippodrome until Saturday 17 May, book here. 

Cast List: Jack Hazelton, Sam Archer, Leon Moran, Luke Murphy, Dominic North, Sam Plant, Danny Reubens, Layton Williams, Dan Wright, Will Cornish, Khalid Daley, Ethan Daly, Jack Dologhan, Joel Fossard-Jones, Jacob Goodchild, Brad Guest, Tom Hammond, Dereece Leigh-Gayle, Declan Lewis, Fenton Lockley, Alexander Love, Enrique Ngbokota, Harry Ondrak-Wright, Callum Osbourne, Zach Parkin, Harvey Powell, Ben Powney, Nat Sweeney, Hugo Von Fragstein, Louis Williams, Chris Wilson.

Review | ROCK OF AGES (UK Tour) May 2014

The 80's... the decade of power ballads and rock Gods … there was bound to be a musical about it and what is currently the 30th longest-running show on Broadway started life in Los Angeles 2006, transferred to Broadway in 2009 and West End in 2011 - Rock Of Ages is now playing cities all over the UK as part of a major tour.

The musical follows Drew (Noel Sullivan) who we meet in The Bourbon Room club, dreaming of being a rock star. He immediately falls for Sherrie (Cordelia Farnworth) who confuses his shyness as disinterest and has a fling with the vainglorious lead singer of rock band Arsenal, Stacee Jaxx (Ben Richards), it all goes wrong, it all rights itself... it's sex, drugs and rock and roll. 

The plot falls, overpowered by the string of hits - it's probably for the best as it doesn't allow for too much investment in the characters, there's nothing too deep as to discover more about them or time to see them do little more than sing, but they own up to that. This isn't a musical to lose yourself in, it's two and half hours of rollocking rock! 

Noel Sullivan impresses as Drew, he returns to his We Will Rock You roots here and is just as comfortable strutting, head-banging and belting out rock ballads than he was in a recent role, skipping around in showgirl tits and feathers in Priscilla Queen Of The Desert. He proves to be an accomplished, versatile performer. Ben Richards is suitably sexy, seductive and everything you'd expect of a lead singer in the role of Stacee Jaxx. Rachel McFarlane as Justice Charlier is a great addition, she's like the Killer Queen of rival rock musical, strutting around in a long coat and sparkly corset - she can belt, yet perhaps the more tender Every Rose Has It's Thorn is one of the show's highlights. 

Jessie May makes a great Regina, coupled with the comedic Cameron Sharp who relishes the role of camp German, Franz. They receive the best reaction with Hit Me With Your Best Shot - a surprise reveal and a long overdue rousing of the audience to whom Stephen Rahman-Hughes' emcee Lonny is a firm favourite. There's an energetic ensemble lead by dance captain Russell Smith and a whole-cast finale of Don't Stop Believin' brings the house down, the band are excellent.

It's all tongue-in-cheek, it's all cheesy but ultimately it's fun. If nothing more, Rock Of Ages is a great opportunity to just let go and rock out with an incredibly impressive West End cast. Get your air guitar, and head for New Alexandra Theatre Birmingham to rock until Saturday 17 May - book tickets here. 

Cast List: Ben Richards, Noel Sullivan, Cordelia Farnworth, Daniel Fletcher, Stephen Rahman-Hughes, Rachel McFarlane, Jack Lord, Cameron Sharp, Rakesh Boury, Imogen Brooke, Abigail Climer, Tom Andrew Hargreaves, Jessie May, Stephen Rolley, Kylie Michelle Smith, Russell Smith, Chris Southgate, Charlotte Anne Steen, Tara Verloop.

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Review | WATER BABIES (Leicester Curve) May 2014

Water Babies - the Victorian novel and 70's animated film about a boy who plunges into a river and meets aquatic children received it's world premiere at Leicester's Curve Theatre. With ambitious technology and an impressive West End cast, the highly anticipated musical has a lot to live up to.

Directed by Ed Curtis and Guy Jones, Water Babies follows the story of Tom, a young chimney-sweep, convicted of a crime he did not commit. He escapes into a river to find the Water Babies who must help him in his quest to be reunited with love Ellie. It's almost the story Peter Pan, but underwater...

The story is overseen by the magical presence of the Fairy-Godmother character Mrs D (Do-As-You-Would-Be-Done-By), played by Louise Dearman who is warm and welcoming as the mysterious female figurehead. No stranger to that sort of role, having previously played Glinda in Wicked, Dearman is perhaps a little underused here, but whenever she sings, we are reminded that she is indeed one of theatre's greatest talents.

Waterloo Road's Thomas Milner is a great young lead and as the 'Peter Pan' of the show, he has all the required traits. He's wide-eyed, cheeky and despite of only a short initial meet between him and love interest Ellie, Milner manages to create a sweet connection with Lauren Samuels who is perfectly cast and in fine voice throughout. There's a really impressive duet between Samuels and Dearman - Waiting For You.

The most exciting characters come in the form of Jock - a Lobster (Andy Gray), Claude - a Swordfish (Tom Davey) and Terrence - a Seahorse (Samuel Holmes). All three glide around the stage on customised bikes and a scooter, decorated to further suggest each type of creature, it's very clever and wonderfully imaginative. Holmes especially is fabulously flamboyant and earns most of the laughs from an audience of families. Tom Lister is perfectly cast as the Electric Eel, flipping between what must have been ten different accents and sings a great number - Friends In High Places with the impressive male dancers.

The excellent ensemble showcase their versatility throughout and particularly shine as the Water Babies themselves, each bringing their own characters forward, they're charming, endearing, clearly having fun and they're just as fun to watch.

Also fun viewing is the screen upstage which is multi-functional. Often used to depict underwater scenes when actual water isn't practical it's also used to make characters appear and disappear in a burst of bubbles. The hologram technology is the best I've seen on any stage. Used mainly for the appearance of Richard E. Grant as the Kracken, you'd easily be fooled into thinking he was actually there.

There's one recurring musical underscore that is very remindful of The Little Mermaid and it's apparent that the show utilises elements of other successful musicals, notably The Lion King's use of puppets and Wicked's style of costuming. It's a theatrical conglomeration, but it all works within the concept and set  against Morgan Large's beautiful scenery and stunning waterfall, the production is a visual delight.

It's great that someone believed in Water Babies, this is a story worth telling but one that I don't think many would have bothered with. It's difficult to combine an 1862 Victorian novel with the necessary 21st century technology and make it all harmonise, but it does work and the end result is definitely of joy in seeing a new musical, traditional in feel yet contemporary in production.

Water Babies is definitely something special. Yes, there can be improvements, but it's clear that an enormous effort has already gone into this, a show that is full of heart, wonderful imagination and deserves a chance. A lot of new musicals take risks and aren't rewarded with a future, it would be a terrible shame to see this sink. Support the incredible team behind Water Babies at Leicester Curve until Sat 17 May 2014. Click here for tickets.

Watch the trailer for Water Babies and listen to some of the music below:

Cast List: Louise Dearman, Tom Lister, Thomas Milner, Lauren Samuels, Andy Gray, Samuel Holmes, Tom Davey, Caroline Deverill, Jeffery Harmer, Matthew Gent, Robbie Boyle, Matthew Caputo, George VCarling, Jorell Coiffic-Kamall, Cristina Hoey, Rebecca Jayne-Davies, Sienna Kelly, Marianna Neofitou, Morgan Scott, Marcquelle Ward, with Michael Denvir & Richard E. Grant

Review | SÉQUENCE 8 (IDFB) May 2014

Groundbreaking Montreal circus company Les 7 Doigots de la Main (The 7 Fingers), present Séquence 8 as part of International Dance Festival Birmingham at The REP. Created in 2012 by the company who directed the first segment of the Sochi Olympic Games Opening Ceremony, the piece is billed as an exhilarating race through the furthest reaches of acrobatics, circus arts, dance and theatre... and it is!

From the moment it begins you'd be forgiven for thinking someone had turned the gravity off... if it wasn't for the fact you're still firmly in your seat, you might believe it. The ensemble leap into the space after an introduction from Colin Davis - it's all very aspirant and begins almost like a University  showcase... you know those assessments which are awfully experimental and nonsensical? But it's purposely playful and soon develops into a solid 90-minute piece that explores relationships and how we define ourselves through and against the idea of the 'other'.

Alexandra Royer impresses early on in a heart-stopping routine on the Russian Bar. The bar, resting only on the shoulders of two other performers, wobbles, bends and hurls her into the air - landing perfectly every time, of course. Maxim Laurin shows extreme strength as an aerialist hanging from his ankles on a trapeze... it's a theatrical circus, a re-imagined and contemporary home for the age-old skills. 

Eric Bates is good at the harmonica, chess, cooking, break-dance, skateboarding, but here we see  perhaps his most impressive avocation... his specialty of cigar-box juggling - for which he is considered one of the best in the world. It's mesmerising and I'd still believe those boxes were magnetic... 

Alexandra Royer is expert at the aerial hoop and whirls around the stage, almost as if running through thin air, it's most beautiful yet almost unbelievable. That's the case with pretty much all of this show, boundaries are pushed until just about the limit with fascinating results. 

Just as Physical Theatre is often acting through dance, this is acting through circus and acrobatics... It 's delightfully fresh and manages to guide us through a narrative, trick after trick. There is much enjoyment from seeing a story come together through what at first seem unconnected displays of circus performance. There are no clowns here, just serious fun. 

You can see Séquence 8 at Birmingham REP as part of International Dance Festival Birmingham until Sat 10 May. Book tickets here. 

Watch a preview here:

Cast List: Eric Bates, Ugo Dario, Colin Davis, Devin Henderson, Alexndra Royer, Maxim Laurin, Camille Legris, Tristan Nielsen. 

Review | WEST END SWITCHED OFF (Album) Vol. 1 - April 2014

At a time when new musicals are struggling to sustain themselves and the old ones are loved - but hardly fresh, the young team behind new album West End Switched Off may have have just come up with a winning formula. Success, at least in this case, is not by risking new, unfamiliar territory but revisiting previous musical triumphs and breathing new life into them with the best from the current West End talent-pool.

Following a launch performance at St James Studio, the first in a series of albums is released. A relatively new company, Parallel Productions - produced by Kris Rawlinson and assisted by Ed Theakston - brings together an incredibly accomplished line up of musicians and performers to arrange musical theatre songs that you know – and a few that you may not – into unheard acoustic, ‘unplugged’ covers.

The popularity of 'Live Lounge' has finally found it's home in the West End and Simon Bailey (I Can't Sing, Phantom Of The Opera, Les Misérables) begins the album with a surprise version of Part Of Your World from The Little Mermaid. A rockier sound to the original, it's fun and a perfect opening song to set the tone for the rest of the album. Traditionally a female song, what this does and what the album continues to do is let anything go, it's experimental and challenges the songs origins, offering a fresh perspective that delights at every moment.

Next, Tori Allen Martin sings Touch Me from Spring Awakening, the song about expressing desires for physical intimacy, not one you'd often find on a musicals compilation, but Martin delivers a sensual, haunting sound that remains lustful with plenty of opportunity for the vocal to simply flow.

Ian Stroughair

From his heavenly performance of Angel in the recent concert tour of RENT, Ian Stroughair hots things up with Judas' Heaven On Their Minds from Jesus Christ Superstar. It's followed by Wicked's Ashleigh Gray with Somewhere Over The Rainbow. You'll have heard several versions but with such faultless vocals, there is every reason for this beautiful rendition to contend with Garland and Cassidy.  Equally as beautiful, Nothing Stops Another Day from Ghost The Musical, effortlessly performed by Ambra Caserotti (RENT, Cockpit Theatre) is next. Fans of Ghost shouldn't notice too much a difference between this and any Molly they've seen on stage - it's just as powerful and if not, more so, given the intimacy of the set-up and expert arrangement.

Dale Evans

The albums biggest change in tone is Dale Evans' Stranger In This World from the Boy George musical Taboo. Evans, who will covering the role of Chris in the revival of Miss Saigon has recently been seen in From Here To Eternity the musical. A recent graduate, there is no inexperience, one of the most powerful performances and definitely one to look out for.

Perhaps the most reinvented song is You Can't Stop The Beat, sung by Hairspray's long-serving Seaweed, Adrian Hansel. What is so clever about this particular track is that it bares resemblance to the slow groove that the kids dance to in the detention scene. In-keeping with the musical's own sound, it is cleverly re-invented, completely relevant and yet couldn't be further from the high energy, no-time-to-breathe finale of the musical.

Defying Gravity... I don't think there's been a musical theatre concert since 2006 that hasn't featured someone trying to belt it out like Idina and yes, it has to be on the album, but here - you're safe. The traditional two-female duet is here performed by Thomas Suttcliffe and Chlöe Hart. The only duet on the album, there's great opportunity for harmony and the mix of male and female voice is a real treat.

Jodie Steele

Currently wowing audiences across the UK as Carmen Diaz on the tour of Fame The Musical is Jodie Steele, riffing her way through Footloose's Lets Hear It For The Boy. This is the track that'll have you tapping your feet, it's girly, it's country, it's fun. She has a phenomenal voice and must return for the second album with a version of Fame's In L.A. - that's my request in!

Katie Hall (Phantom Of The Opera, West Side Story) sings Bring Him Home from Les Misérables and Falsetto King Jordan Lee Davis concludes the album with Summertime - Porgy & Bess. What's great about both of these is that you'll never hear these versions within the musical. Valjean is never going to be female and last time I checked, Jordan Lee Davis wasn't a black woman... it's unique and just an absolute joy to listen to. You'd struggle to find better.

The album's biggest strength is that although these are reduced orchestrations, stripped back and laid bare, each song could easily replace it's original within the musicals. Rawlinson's genius rediscovery of some of theatre's classics allows for much more of the emotion, the original message and the talent to shine through. Nothing is overwhelmed, it's from the heart and this album is the very reminder of the talent in today's West End, both currently and upcoming. If this is just the beginning then I'm very much excited by the future.

CLICK HERE to purchase the album.

Chlöe Hart: "When I was approached about taking part in West End Switched Off and learnt what the concept was I was totally excited, I love the idea of songs being rearranged and interpreted differently, and then I was told which song I would be doing and I got very nervous! It's a very VERY well known song and there have been many versions of it done before. However when I heard the new arrangement I got excited again! It's so different to any other version and Kris Rawlinson, our genius arranger and MD had so many brilliant ideas. He also allowed us all to add our own little touches which means it feels really personal. If you are expecting a generic musicals complication album, this is not the one, but if you want something fresh and innovative then go for it! I don't think you'll be disappointed!"

Hope that WEST END SWITCHED OFF becomes a regular fixture. I'll be back for more if/when it is!
— Mark Shenton (@ShentonStage) April 27, 2014

For more information visit www.parallelproductions.co.uk or follow Parallel on Twitter @ParaProd.

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THE MIKADO (Battersea Barge & The RISE Leicester Square)

Jamie Chapman Dixon (behind recent Molly Wobbly) & Nick Martland bring you The Mikado. The classic Gilbert & Sullivan show, directed by Drew Baker is set in a lady boys nightclub in downtown Bangkok, with choreography by Holly Hughes, all sorts of fun and frolics are unfolding. 

Cast

Anton Stephans as The Mikado

Katisha – Molly Marie-Walsh

Ko-Ko – Michael James Porter

Pish Tush – Harry Wright

Yum Yum – Jade Spivey

Nanki Poo – Oliver Metcalfe

Pooh Bah – Niall Rooney

Pitti Sing – Natalie Bush

Peep Bo – Ellie Self

Ensemble: Jamie Papanicolou, Marc Gee Finch, Joseph Foyster. Dean McCullough, Perri Hanson-Wilde, Rachael Lea-Gray, Emily Barnett-Salter.

See the show at Battersea Barge from 5 - 8 May. Book tickets here.

* JUST ANNOUNCED *

From Mon 19 - Thurs 29 May, The Mikado transfers to The RISE, No 1 Leicester Square in a new and exciting site specific production. On you arrival you will take the VIP lift into an active club where you will be served by lady boy waitresses and waiters until the show begins. Will Katisha get her man? will Nanki Poo get his girl? will Ko-Ko become a full-time lady boy? Join us at The RISE, No 1 Leicester Square to find out! (next to M&M World)

With tickets at £15 and student tickets at just £5 you really cannot miss The Mikado in this new and exciting setting. Book tickets for The RISE transfer here. Booking fees apply.

Vincent & Flavia's DANCE 'TIL DAWN (UK Tour) Review April 2014

It's the golden age of Hollywood dance, film-makers putting song and dance on the silver screen. Far from the late night bar of Buenos Aires (the setting of previous hit Midnight Tango), the formidable pair take to the stage in 1940's L.A. as Sadie Strauss (Cacace) and Tony Deluca (Simone) - the romantic leads of a comedy about a beautiful starlet and her handsome beau.

Talking through proceedings as the narrator Tommy Dubrowski is Teddy Kempner, a favourite who returns from Midnight Tango whose humour is both clever and welcome. The need for frequent plot updates is perhaps unneeded, there is excellent narration within the choreography - however, Kempner is expert at breaking up the already succinct action with witty one-liners, There is a comedic rapport with the excellent Abbie Osmon as Lana, who must get her hands on incriminating photographic evidence of her fling with Bobby Burns - the man Sadie is contracted to make films with... but of course she follows her heart (thankfully!) and teams with Simone's Tony Deluca. 

The Strictly duo are effortless in rhythm, pace and finesse, completely at one with the soundtrack - the perfect blend of 'tangoed' favourites such as Moon River, Stand By Me and more recent hits Paolo Nutini's Pencil Full Of Lead, Caro Emerald's That Man and Bruno Mars' Runaway Baby is a great, high-energy climax to Act I. The live band are excellent and the perfect accompaniment to Oliver Darley's fine vocal. 

There is an incredibly strong ensemble who master all aspects of the piece co-choreographed by the Strictly professionals and Karen Bruce, who also directed. The evening feels very much like entertainment on a cruise ship - in the best possible way and by no means derogatory - it's glamorous, it's luxurious. That feeling you only get on holiday somehow takes over you in a night of excitement, sophistication, beauty and passion. 

Dance 'Til Dawn is the perfect blend of styles and theatrical mediums and for this it's almost certainly better than the excellent Midnight Tango. It's a dance show, that is a musical, that is a masterpiece.

See the show at Birmingham New Alexandra Theatre until Saturday 26 April 2014. Book tickets here. 

Cast List: Flavia Cacace, Vincent Simone, Oliver Darley, Teddy Kempner, Abbie Osmon, Faye Best, Tyman Boatwright, Ivan De Freitas, Carly Mercedes Dyer, Ben Harris, Jamie-Rae Hartshorne, Annie Kitchen, Stephanie Powell, Tom Scanlon, Giovanni Spano, Danny Stowell, Gemma Whitelam, Anna Woodside. 

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EVITA (UK Tour) Review April 2014

The second leg of a UK tour for Evita sees the production visit Birmingham for two weeks, where the breathtaking musical is set to stun audiences most certainly. 

Tim Rice and Andrew Lloyd Webber's musical adaptation of Eva Perón's life story is once again fronted by Portuguese singing sensation Madalena Alberto. From flirtatious, brunette latino girl, to the blonde high-flying woman of business, Alberto completely encapsulates each moment of the brutal, tragically short life of Eva Perón - spiritual leader of the nation. 

Cynically assessing the immediate mourning of Evita's death is Che Guevara - the Argentine Marxist revolutionary, Wet Wet Wet singer Marti Pellow. Che is a demanding sing and Pellow ploughs through the score with ease and holds a mightily impressive last note in 'And The Money Keeps Rolling In'.  Whilst he may not be the most obvious choice for the role, Pellow's less angry, more subtle tones accompany the sarcasm of his words and create a character that is not only narrating but forewarning. Mark Heenehan remains a strong addition as Perón and Nic Gibney's impressive vocal range is evident in his few outbursts as the less-often featured but crucial character, Magaldi. One of the productions stand-out moments comes from Sarah McNicholas as Perón's Mistress and her beautiful version of 'Another Suitcase In Another Hall'.

A strong ensemble play a variety of roles - with ample time to showcase their versatility. In particular, Perón's Latest Flame is a strong group effort - regimented choreography executed with the tightest of timing. I wouldn't say Evita was a dance musical, but this dynamic, energetic and enthusiastic ensemble make sure it's worthy competition.

Madalena Alberto proves to be the ultimate Eva Perón and makes her way through the powerful and demanding score with effortless conviction. From the steamy and fast paced partying in Buenos Aires to the tender, fragile final moments upon her deathbed you'd be forgiven for thinking you saw two different people - the contrast is almost unbelievable.

The score is most beautiful and played by a fine orchestra - combine with an incredibly talented cast such as this and the audience are well and truly drawn in. You cannot help but fall in love and have your heart broken by Evita. Do not miss the musical masterpiece at Birmingham Hippodrome until 19 April. Get tickets here.

Cast List: Marti Pellow, Madalena Alberto, Mark Heenehan, Sarah McNicholas, Nic Gibney, Michelle Pentecost, David Brewis, Verity Burgess, Errol Clayton, Joel Elferink, Callum Fitzgerald, Alyn Hawke, Ryan Limb, Joe McCourt, Anna McGarahan, Stuart Maciver, Ceili O'Connor, Lizzie Ottley, Olive Robinson, Chris Stoddart

WEST END SWITCHED OFF (St James Studio) Rebecca Trehearn and Simon Bailey join the line up!

Rebecca Trehearn and Simon Bailey join Alice Fearn, Sophie Linder-Lee and more for launch of West End Switched Off at the St James Studio!

Fresh from playing the lead role of Molly in the UK Tour of Ghost The Musical to critical and audience acclaim, Rebecca Trehearn will be joining a superb cast of West End performers to launch new album West End Switched Off in an intimate concert at the St James Studio on Sunday 27th April.

The launch night at the St James Studio on Sunday 27th April at 6.30pm will give the audience the chance to have an up-close and personal experience of some of the never before heard tracks on the album before the official release. Tickets are available from just £15.

Trehearn will be joined by Simon Bailey, who’s performance as Liam O’Dreary in I Can’t Sing the Independent recently called ‘spot on’, and Alice Fearn, who can currently be seen in Dirty Rotten Scoundrels at the Savoy and recently Shrek The Musical and on stage and screen in Les Miserablés.

Completing the line up will be Wicked’s current Stand-by Glinda and Elphaba; Sophie Linder-Lee and Emma Hatton. The thirteen-strong cast also includes West End regulars Chlöe Hart, Adrian Hansel, Dean John-Wilson and Dale Evans as well as Jordan Lee Davies, Tori Allen-Martin, Thomas Sutcliffe and Ambra Caserotti. A live band led by the album’s musical director Kris Rawlinson will accompany the performers.

West End Switched Off, produced by Parallel Productions, is set to be the first in a series of albums that arrange musical theatre songs that you know – and a few that you may not – into unheard acoustic, 'unplugged' covers. The eleven-track album which features Ashleigh Gray, Ian Stroughair, Jodie Steele and more will be available for purchase on iTunes, Amazon and other platforms from Monday 28th April.

Listen to exclusive clips on Official London Theatre here.

For more information visit www.parallelproductions.co.uk or follow Parallel on Twitter @ParaProd.

Preview | DICK WHITTINGTON (Swindon Wyvern Theatre) Nigel Havers headlines as King Rat!

Following a plague of headlines in the news last week that huge rodents are taking over Britain, the Wyvern Theatre, Swindon announce that Nigel Havers will headline this year's pantomime Dick Whittington, playing the biggest rat of them all, King Rat!

Nigel Havers has been a star of stage and screen for 40 years and is well-known for a variety of roles. On TV he is most recently known for his role as love-rat Lewis Archer in Coronation Street, for which he won Best Exit at the 2013 British Soap Awards. He also recently appeared in another of ITV’s top-shows, when he starred in the Christmas Special of Downton Abbey. He has been in constant demand for stage work and has starred in many plays, as well as starring in pantomimes for many years.

This Summer, ahead of performing on stage in Swindon at Christmas, Nigel will star alongside Sian Phillips in a West End revival of Oscar Wilde's The Importance of Being Earnest at the Harold Pinter Theatre.

“It is a real coup for Swindon to secure a pantomime star of Nigel Havers’ stature for this year’s production of Dick Whittington,” said Theatre Director Derek Aldridge. “Nigel will no doubt bring a certain element of charm to the role of King Rat, which will make audiences love to hate the royal rodent!”

The Wyvern Theatre’s dazzling production of Dick Whittington will be spectacularly brought to life with an abundance of comedy, sensational song and dance numbers, fabulous costumes and stunning sets plus, as audiences have come to expect from Swindon’s number one pantomime, plenty of audience participation. Read reviews for previous pantomimes Aladdin and Jack And The Beanstalk which feature returning Swindon panto favourite - David Ashley.  

Nigel Havers is joined by the previously announced David Ashley who returns to Swindon for a fourth year after playing Ugly Sister Windy Wendy in Cinderella, Abanazar in Aladdin and Dame Trot in Jack and the Beanstalk.

Book tickets for Dick Whittington, which runs from Sat 6 Dec 2014 - Sun 4 Jan 2015 online here. Alternatively call the Box Office on 01793 524 481.


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Review | WEST SIDE STORY (UK Tour) April 2014

The highly anticipated fiftieth anniversary production of Bernstein's classic, West Side Story has arrived in Birmingham and with a three week residency at the New Alexandra Theatre, there are few excuses to miss this legendary classic.

 Romeo and Juliet are no longer in Verona, it's 1950's New York and amidst the ill-fated love story for Tony and Maria, their families the Jets and Sharks clash over status. The predictable story is well known and I wouldn't say that it's for this that the people come... Fifty years on, the iconic music of Leonard Bernstein is still as exciting and fresh-feeling as a first night. The music, coupled with Joey McKneely's reproduction of Jerome Robbins' choreography is something very special, the two combine to create a visually stunning production. With little in the way of set it's all about Renate Schmitzer's colourful costumes worn by an incredibly versatile, dynamic and endlessly energetic young cast. 

Louis Maskell is charming as Tony, who's impeccably controlled vocal brings the audience into awe , particuarly during the song Maria, an obvious highlight. Owing to the indisposition of Katie Hall, the role of Maria is played by Charlotte Baptie. Having seen both girls in the role, it is apparent they are of equal worthiness. Baptie impresses with a belting soprano voice, championing her way through classics such as Tonight and I Feel Pretty. The girls, led by Djalenga Scott as Anita are sensationally sexy, sassy and fun addition to the otherwise dark plot. 

The show perhaps belongs to the brilliant boys, rival gangs who fight through dance - adventurous yet  extremely well connected, an incredibly talented line-up. Whilst the stylised flighting is not the most realistic, the artistic values completely outweigh anything else here. However, it is when the entire company unite for the Procession and Nightmare that the spine tingles. 

West Side Story is all about the dance, incredible vocal performances do break through the booming score but ultimately the re-invented, high energy routines are what will stick with you. And a warning, you will walk away whistling and humming the songs for a long while after!

See West Side Story until 19 April at the New Alexandra Theatre, Birmingham. Click here for tickets. Read my interview with Katie Hall and Louis Maskell here. 

Photos by Alastair Muir.

View the trailer:

Cast List: Louis Maskell, Katie Hall, Djalenga Scott, Javier Cid, Jack Wilcox, David Delve, Jason Griffiths, Siôn Tudor Owen, Matthew Hawksley, Fraser Fraser, Bruce Aguilar Rohan. Samuel Salter, Scott Rayner, Matthew Croke, Charlie Cameron, Rachel Crocker, Fenia Tsikitikou, Rachel Ensor, Danielle Cato, Niko Wirachman, Sergio Giacomelli, Sergi Terns, Devon McKenzie-Smith, Nathan Ryles, Liam Paul Jennings, Sinead Kenny, Charlotte Baptie, Katie Singh, Challyce Brogdon, Nicola Coates, Lisa Dent, Dom Hodson, Alex Pinder. 

SINGIN' IN THE RAIN (UK Tour) Review March 2014

Chichester Festival Theatre have produced some excellent productions in recent years - including Sweeney Todd, Another Country soon to open at the Trafalgar Studios, The Pyjama Game opening at the Shaftesbury Theatre and Cameron Mackintosh's revival of Barnum which is about to embark on a UK tour. Singin' In The Rain enjoyed success in Chichester in 2011, the West End in 2012 and now a tour of the UK and Ireland is making a splash in Birmingham. 

Singin' In The Rain tells the story of the first Hollywood musical, when the silver screen found its voice and left silent movies - and some of its stars – behind. This show leaves none of it's stars behind and from the outset you are whisked away to the Hollywood glamour of 1920's Los Angeles. The magic of the MGM musicals is truly at the heart of the show - I don't recall a time when I've ever been so enchanted at the theatre, which is easily done with the grandeur of Jonathan Church's production.

Before you can talk about anything more, the choreography by Andrew Wright must be credited for taking the show from one that looks great to one that is great - and so full of energy. Even without the rain these dancers were dripping, with sweat. Scenes that are concentrated heavily with dialogue benefit greatly from an injection of incredibly creative, complex and breathtaking routines. The tap is fast and furious, both the dance kind and the water kind. 14,000 litres of soak the stage (and the first few rows of the auditorium) in a spectacular finale - a downpour that provokes a well earned standing ovation.

James Leece as Don Lockwood

Following in the soggy footsteps of Gene Kelly is James Leece as Don Lockwood. A charming performance, Leece is great to watch, particularly when splashing around in the title song or when together with Amy Ellen Richardson who is a delight as Kathy Selden. The perfect face of Hollywood glamour, Richardson excels not only in her irresistible presence but is in fine voice throughout.

It is Make Em Laugh that perhaps receives the loudest applause for a dry routine, perfectly executed within split seconds of comic timing, the incredible Stephane Anelli is difficult to move your attention from as the buffoonish Cosmo Brown, relishing the role for all it's worth. Also scene-stealing is Faye Tozer ("from Steps") as movie star Lina Lamont. With a ghastly shrill voice she earns raucous laughs with her song What's Wrong With Me? - ironically, the character can't sing and the fact that Tozer isn't given the opportunity to showcase her vocal talent here is somewhat of a shame.

Faye Tozer as Lina Lamont

The story may induce times where you're left thinking "just hurry up and rain!" but in it's entirety you can't possibly have seen this show better than it it's presented here. There is an incredible orchestra that guide you through an evening of Hollywood glamour presented only by the most dynamic ensemble.

Go on, splash the cash on a ticket to the show that showers you with nothing but pure talent and class. Book tickets online here - runs until Saturday 5 April at Birmingham Hippodrome. 

View the show's trailer:

Cast List: James Leece, Amy Ellen Richardson, Stephane Anelli, Maxwell Caufield, Faye Tozer, Jacqueline Clarke, Paul Grunert, Luke Dowling, Jenny Legg, Kim Strommen, Abigail Brodie, Adam Denman, Rebecca Fennelly, Olivia Fines, Lauren Hall, Aimee Hodnett, Nia Jermin, Sammy Kelly, Joshua Lovell, Matthew Malthouse, Phil Marriott, Tom Partridge, Tom Woods, Albey Brookes, Matt Crandon, Lucy James, Soeli Parry

INTERVIEW with Sandra Marvin - March 2014

Sandra Marvin's theatre credits not only include her critically acclaimed performances of Miss Motormouth Maybelle in Hairspray in the West End and Tour but she recently appeared as Matron Mama Morton in Paul Kerryson's Chicago at the Leicester Curve. Amongst other theatre credits that include Porgy and Bess, Ragtime, A Midsummer Night's Dream and The Lion King at Disneyland Paris, Sandra can also be heard on the Oscar-winning soundtrack of the recent blockbuster film Gravity. If that wasn't enough, Sandra is now headlining her own cabaret show... 

You're about to do your first solo cabaret after quite while in some incredible productions. Lets start with last year - the majority of which was spent on tour with Hairspray. You're no stranger to Motormouth Maybelle having played the role in two UK tours and in the West End, how do you look back on your time with the show?

I have the fondest of memories of my time in Hairspray! It really is a timeless, funny, witty amazing show with the best music and biggest heart! And the people! I've met the most fantastic people, & many of my best friends on this job. To this day we all still have reunions to share the Hairspray family love! So much love for past casts, crew and creatives. Also nothing but love for the role of Miss Motormouth Maybelle! I'll always be "Big, Blonde and Beautiful!" - 'lol' ... Also getting the chance to sing "I know Where I've Been", such an honour. Loved being blonde!

And most recently you took on the role of Mama Morton in Chicago at the Leicester Curve - I believe this was always a dream role of yours? How was that experience for you?

Yes, she was one of my dream roles. Years ago, the first theatrical demo I recorded was "When You're Good to Mama", so finally being able to play her was certainly a dream come true. Also working with Paul Kerryson, we were given the opportunity to revisit the original play of Chicago and rediscover who our characters were and play their different traits. It was all very exciting and the fresh new choreography by Drew McOnie just topped it off! And such an amazing cast!

Sandra as Mama Morton, Chicago at Leicester Curve.

I've never known a theatre audience erupt quite like at the end of your song in Hairspray - I Know Where I've Been. You've more than proved that you've got an incredible voice. Do you remember a time when perhaps you discovered singing and worked and worked at it, or have you always known that this voice was there inside?

Ah, Thank you Scott! All I know is that I've just always loved singing! Whether it was when I was a kid singing along with my dad's old records, to this present day. Whether I'm on stage or letting rip whilst washing up the dishes! Singing lifts my spirits, and I hope that I can share that with people when I sing. I still have singing lessons now with my teacher Tom Pearce. I think it's good to make sure you keep up a good technique, but other than that, it's all about singing from the heart. "I Know Where I've Been" is a beautiful, powerful song that means a lot to me.

Who are your musical inspirations? Was there anyone or anything that inspired you to follow this career?

Well I'm the only musical one in my family, though they certainly introduced to some incredible vocalists from a young age. My mum and dad adored Tina Turner and Dolly Parton. Both phenomenal artists. There was of course also Whitney, Aretha and Ella too. But it was my sister who introduced me to Barbra Streisand's first album and I was hooked from then. I still adore all of these artists now and I'll be paying homage to many of them on Sunday too.

Besides these roles, you've appeared as a guest singer for Michael Ball, you've done intimate West End cabarets as part of a line up - but now it's all about you! What can you tell us about your cabaret show at Lauderdale House?

My passion for music is so varied, so I'll be singing jazz, musical theatre, soul, rock, acid jazz...! Many of my favourite songs to share with you all. But mostly Sunday will be a fun, laid back, intimate celebration of music that inspires me and touches the soul.

Sandra as Motormouth Maybelle in Hairspray, Shaftesbury Theatre.

For your upcoming concert, Sunday Sessions, you're re-united with your Hairspray-son Adrian Hansel, who played Seaweed, what does it mean to have him alongside you?

Adrian is actually my musical brother from another mother! We both have a love for very much the same type of music, though he's so much more current than I am. He often surprises me with a mix of "songs you don't know, but should know" playlist of the most amazing songs that become fast favourites. It's an absolute honour to have him with me, as not only has he one of the most stunning voices I've ever heard, he's also one of my dearest friends.

Is there anyone else we can expect to see as a guest?

I'm also excited and honoured to have Amy Diamond with me too who absolutely has the voice of an angel! My amazing MD Peter White, and Jonathan Cooper (the funkiest bass in town) and Dave Gonella (percussion).. All amazingly talented musicians so I'm excited to be working with again. We're gonna rock Lauderdale House!

Finally, what's next for Sandra? Anything you'd like to do?
I'm also singing Friday and Saturday 21st/ 22nd March at soul/jazz bar Hideaway, Streatham. Ooooooh and there is something that I'm excited about to be announced soon! 

You can book ticket's for Sandra's cabaret by clicking here or by calling 020 8348 8716. Sunday Sessions features Adrian Hansel and Amy Diamond at Lauderdale House on Sunday 23 March - 4:30pm. 

LET IT BE (UK Tour) Review March 2014

After a triumphant run in the West End, Let It Be is now giving the regions a taste of Beatlemania. 

Known as 'The Beatles Musical' - this is more of a glorified tribute show, but this concert-like performance is one hell of a crowd-pleaser. There isn't much to say about it: four guys who closely resemble each band-member take you chronologically through the Beatles back-catalogue of hits. What is clever is that the story is told through news reports and real TV footage from the archives that fill in the time between set changes. With each change of scenery is a change of venue and often country. You journey from the humble beginnings of The Cavern, their appearance on the Royal Variety Performance of 1963 at the Prince Of Wales Theatre - where this show played in late 2012 and into America. 

At times you are reminded that this is but a reflection upon the 60's, a conscious imitation with reference to CD's and Ringo's narration of Thomas The Tank Engine. Where the show perhaps lacks is with dialogue between the boys, it's very much imitation of live performance after live performance, it may have been interesting to delve deeper into the backstories but for the hardcore fan it's crowd-pleasing hit after hit. 

I can't say that I ever listen to The Beatles and have never really taken an interest in their music but there's something euphoric about a large group of people singing along and swaying to Hey Jude! Not that I gained much in the way of nostalgia as I wasn't there to begin with but what this does offer is the chance to live and experience the 60's in what felt authentic. 

The absence of Yellow Submarine (one of the only Beatles songs I know!) wasn't too disappointing - the show is more than packed with hits including the title song Let It Be, I Want To Hold Your Hand, Strawberry Fields Forever, Lucy In The Sky With Diamonds, Hard Day's Night, Sergeant Pepper's Lonely Hearts Club Band and When I'm 64 to name but a few... 

Beatles-wise this is as good as you'll get. Even with my little Beatles experience I was able to enjoy this all-round quality production. You'll be standing, clapping and waving your arms and flags before you know it! You can see the show at Birmingham New Alexandra Theatre until Saturday 22 March. Book tickets here. 

Cast List: Emanuele Angeletti, Michael Bramwell, John Brosnan, Ben Cullingworth, James Fox, Michael Gagliano, Steve Seere, Reuven Gershon, Graham Harvey, Stephen Hill, Paul Mannion, Luke Roberts (Each performance of the show is performed by five members of the company.)