Review | BUDDY - THE BUDDY HOLLY STORY (UK Tour) June 2014

"Three young rock 'n' roll stars have been killed in a plane crash in the United States. Buddy Holly, 22, Jiles P Richardson - known as the Big Bopper - 28, and Ritchie Valens, 17, died in a crash shortly after take-off from Clear Lake, Iowa at 0100 local time. The pilot of the single-engined Beechcraft Bonanza plane was also killed. Early reports from the scene suggest the aircraft spun out of control during a light snowstorm" ... It was the career that was over almost as quickly as it started. 

Throughout it's 25 year history, this, the original juke box musical has been seen by over 22 million people worldwide. Following the short career of the music legend, we start at the humble beginnings at the Grand Bowl, Lubback Texas with a fresh-faced enthusiastic Buddy played by the excellent Glen Joseph. Throughout Buddy's struggles with the music industry, turning his back on country and creating his own rock 'n' roll sound, Joseph has great charisma, endless energy and has us in the palm of his hand as he masters some of the most iconic hits including That'll Be The Day, Peggy Sue, Why Do Fools Fall In Love, Heartbeat and Johnny B Goode. 

Joseph is joined on stage by Roger Rowley who plays Buddy at certain performances with the excellent duo Adam Flynn and Scott Haining as The Crickets. All music is played and sung live, which is the huge draw of this musical. Without the music, you'd have under 20 minutes of content. This is certainly the show for Buddy fans with little in the way of significant set changes or engaging dialogue but there is more than enough to make up for that by way of talent and incredible effort. 

Surprisingly, some of the show's most exciting moments come from other members of the cast, including Lydia Fraser's hilarious, scene-stealing Apollo Performer - joined by Miguel Angel in an impressive rendition of Shout. Will Pearce rouses the crowd as Ritchie Valens with his hip swinging La Bamba. 

The death of Holly, Valens and the Big Bopper interrupts what was an enjoyable finale of what was  to become their final gig. It's a particularly effective halt that reenforces the shock and sudden devastation that followed the plane crash on 3 February 1959. The moment could have lasted longer but seemed rushed over to return to the high-energy finale. We are, after all, there for a good time and that's why the joy resumes so quickly. If you're not of a reminiscent age and struggle to recognise the music, it can feel a little exclusive but you can't help but appreciate the sheer talent on that stage. 

This is the original jukebox musical that spawned all others of it's kind, many try but aren't nearly as successful at raising the roof in the ultimate celebration of some of the finest singers of all time. Click here and book now to see Buddy at Birmingham Hippodrome until Saturday 28 June. 

Review | MISS SAIGON (Prince Edward Theatre) June 2014

With an all-time Box Office record, taking in excess of £4m on the first day, the revival production of Miss Saigon was highly anticipated. The musical premiered at the Theatre Royal, Drury Lane, London, on 20 September 1989, closing after over 4000 in performances 1999. Since then, it has toured but in recent years hasn't been available to see. It's perhaps the perfect time to bring it back, being one of the only classics (Phantom, Les Mis..) that young theatregoers haven't been able to experience at an age where they can truly appreciate Boublil and Schönberg's masterpiece. 

Inspired by Puccini's Madame Butterfly, this, set in 1970's Saigon is the story of Kim, orphaned by war who falls in love with Chris, an American GI. Events of the Vietnam War come between them and an inevitable tragic end leaves the heart aching. 

Alistair Brammer and Eva Noblezada

Alternate Kim, Tanya Manalang is a sensation. 18-year-old relative newcomer Eva Noblezada has been received in high-regard so I must presume that both leading ladies are just as phenomenal. Manalang manages to power her way through the score with an incredibly strong but equally vulnerable performance, capturing the many emotions, highs and crashing lows that Kim endures. She is joined by Alistair Brammer as Chris who is in great voice throughout, a highlight being The Last Night Of The World love duet. 

The incredible Rachelle Ann Go gives a beautiful performance as Gigi with an almost unbelievable, perfect vocal in The Movie In My Mind. An excellent casting. 

Jon Jon Briones as The Engineer

Jon Jon Briones is excellent as the Engineer - it's not a 'you love to hate him', it's a 'you hate to love him'. You can't help but enjoy his performance as the seedy Engineer, another highlight being his American Dream number, with an impressive surprising set change and a chorus of dancers - it's very "Broadway" but great relief from some of the deeper, darker moments. Mention must also go to Tamsin Carroll who is an impressive Ellen. 

This breathtaking production is not without flaws. The lighting, although beautiful, is hazy and incredibly dark at times - when sat further back you struggle to see clearly, it's more comfortable to just close your eyes and listen. There is also a very modern film of Vietnamese children shown on a giant screen during Bui Doi which although relevant to the theme, seems particularly 'HD' a little unnecessary and out of place as an accompaniment during the incredible vocal performance of Hugh Maynard as John. 

Tottie Driver and Matt Kinley's redesign of the set is a marvel and by the time of the helicopter arriving during Kim's Nightmare you can have no doubt that this is one of the greatest theatrical events. With one of the West End's finest casts, the heat is definitely on in Prince Edward's Saigon.  I certainly can't wait for a return visit. Currently booking until April 2015, get tickets online here.

Meet the revival cast of Miss Saigon

Cast List: Jon Jon Briones, Eva Noblezada, Alistair Brammer, Tamsin Carroll, Hugh Maynard, Kwang-Ho Hong, Rachelle Ann Go, Tanya Manalang, Julia Abueva, Natalie Chua, Jon-Scott Clark, Jenny Ding, Dale Evans, Callum Francis, Ashley Gilmour, Maria Graciano, Simon Hardwick, Jack Harrison-Cooper, Matthew Jeans, Kurt Kansley, Kittiphun Kittipakapom, David Kar-Hing Lee, Mitch Leow, Ela Lisondra, Carolyn Maitland, Christian Rey Marbella, Kanako Nakano, Thoa Nguyen, Saori Oda, Ariel Reonal.

Review | THE PAJAMA GAME (Shaftesbury Theatre) June 2014

Following the success of Sweeney Todd, Singin In The Rain, Another Country and Barnum, The Pajama Game is but another Chichester Festival Theatre production that enjoys the opportunity of a transfer. 

The musical, set in 1950's America begins where a strike is imminent at the Sleep-Tite Pajama Factory. The workers churn out pajamas at a backbreaking pace and demands for a seven-and-a-half cent raise are going unheeded. In the midst of this ordeal, love blossoms between Babe, the grievance committee head, and Sid, the new factory superintendent. 

The Company

For this musical, what's particularly fascinating is the age of the piece in comparison to it's relevance. Of course, love stories are timeless but at the centre of it all is a workforce struggle, seven and a half cents doesn't buy a hell of a lot, it echoes similar situations in once-thriving businesses now. Just as Billy Elliot and The Full Monty tackle similar situations there's comedy right at the heart. Principally, it is Gary Wilmot in the role of Vernon Hines who is ultimately there for the laughs, with comedy knife throwing and a Red Indian outfit! With a great rendition of Think Of The Time I'll Save, Wilmot remains incredibly charming throughout. 

It is Michael Xavier who impresses vocally as Sid Sorokin, at one point there's a clever duet with his own voice on dictaphone.  Xavier is perfectly partnered Lauren Varnham, who covered the role of Babe for the first time at this performance. Beautiful in every sense of the word, she is in fantastically fine voice,  has boundless energy and is perfectly cast, deserving of a lead role. It is a terrible shame that more won't be get the chance to see her in what is definitely her most rounded, mature and captivating role of her career so far. Eugene McCoy is worthy of mention in the role of Union President. 

Michael Xavier

Steam Heat is perhaps one of two choreographic highlights, an incredibly entertaining dance break from the main action packed with daring lifts and exciting tap. The other, Hernando's Hideaway is a perfect example of Stephen Mear's breathtaking choreography. The finale is an uplifting pajama-clad celebration that leaves you singing in the street long afterwards and a desire to get home and slip into some luxury loungewear! 

Richard Eyre's revival of The Pajama Game is an incredibly joyous affair. It's theatre at it's very core, there's nothing overly complicated it's just 2 hours and 40 minutes of serious fun. As far as revivals go, Pajama's is at the top of it's game! 

See The Pajama Game at the Shaftesbury Theatre until Saturday 13 September. Book tickets online here.  "Hurry up, can't waste time!" as they sing...

THE PAJAMAS

You can't do The Pajama Game without pajamas, and who better to turn to than Derek Rose - a company established in 1926, a brand unrivalled in luxury using the finest silks and cottons with unprecedented passion and drive. Derek Rose supplied the pyjamas used in the 1954 production at the London Palladium and have once again provided them for the latest revival of the musical. For three lead roles, The Pajama Game team wanted something a little more unique and custom designs were specially created in consultation with the show’s costume designers and all made in Cheshire, UK. Derek Rose created 7 pairs of men’s and 7 pairs of ladies’ pyjama designs which are from fabrics picked out from their archives and reissued just for the production. To view a full range of products, visit the website here. Below is a particular favourite from the collection, the Duke 1 Navy Cashmere Dressing Gown, fully lined in the finest Italian silks... I wouldn't object if anyone wishes to buy me this!

Find out about the job of the wardrobe department, backstage at the Shaftesbury Theatre with Paula McIntosh

Cast List: Joanna Riding, Michael Xavier, Gary Wilmot, Alexis Owen-Jones, Claire Machin, Colin Stinton, Eugene McCoy, Siôn Lloyd, Jennie Dale, Sharon Wattis, Keisha Amponsa Banson, Lauren Varnham, Helen Ternent, Jo Morris, Nolan Frederick, Richard Jones, Dan Burton, James O'Connell, Pippa Raine, Stuart Winter. 

Preview | ANNIE GET YOUR GUN (UK Tour) Major new production heads to Birmingham!

The Tony Award-winning version of Irving Berlin’s classic musical, Annie Get Your Gun, starring Emma Williams as Annie Oakley, Jason Donovan as Frank Butler and Norman Pace as Buffalo Bill comes to Birmingham’s New Alexandra Theatre from Tuesday 1 to Saturday 5 July 2014.

A major new six month UK tour of the Tony award-winning show from the producers of Dirty Rotten Scoundrels, West Side Story and South Pacific – based on a true story of Annie Oakley, who was an incredible sharpshooter, and her competitive romance with rival marksman Frank Butler.

Emma Williams as Annie Oakley

With timeless classic songs including There’s No Business Like Show Business and Anything You Can Do, I Can Do Better, Annie Get Your Gun tells the legendary story of Buffalo Bill’s Wild West female sharpshooter, Annie Oakley and her romance with fellow sharpshooter, Frank Butler. When Buffalo Bill’s Wild West show comes to town, it only takes one glance for sharp-shooting country girl Annie Oakley to fall head over heels for its star marksman, Frank Butler. Both have truly met their match, revealing their competitive natures as they vie for best shot – and each other’s hearts.

Jason Donovan said; "I've been very lucky in having some great roles to get my teeth into in the past, but now having the chance to star in the UK premiere production of this award winning version of such a classic musical is very exciting. I'm very much looking forward to performing such brilliant songs and appearing alongside a truly great cast as we bring the Wild West to theatres across the country."

Norman Pace said; "I can't wait to get out on the stage and play Buffalo Bill alongside Jason Donovan and Emma Williams, with a script and songs written by the legendary Irving Berlin. Even though it's nearly 70 years since the show was first performed on Broadway, there's still a real sense of fun and excitement to a timeless production that I'm very honoured to be a part of."

Jason Donovan as Frank Butler

Leading lady Emma Williams said; "I'm thrilled to be playing the legendary Annie Oakley alongside Jason and Norman, and performing iconic songs such as Anything You Can Do, I Can Do Better and You Can't Get A Man With A Gun. Annie Oakley has been played by so many incredible actresses before that it's a privilege to fill those cowgirl boots, and I couldn't be more excited to be Doin' What Comes Natur'lly!"

The clever casting of Emma and Jason means that the actors are closer to the age of the characters that they are playing and help to bring the show right up to date for a modern audience. Howard Panter and The Ambassador Theatre Group are thrilled to be producing this version on tour across the UK, bringing this much loved musical to a new generation of theatre-goers, with a brilliantly talented cast. You can see the show at Birmingham New Alexandra Theatre from Tuesday 1 to Saturday 5 July 2014. Book tickets online here.

Watch reactions from audiences who've seen the show so far:

Review | LA FILLE MAL GARDÉE (Birmingham Royal Ballet) June 2014

It might not seem it with recent weather but summer has arrived, particularly upon the stage of Birmingham Hippodrome this week as Birmingham Royal Ballet present La Fille mal gardée, the oldest ballet in existence, having premiered in 1789. Despite the French title and principal names, there can be no more English a ballet as the picturesque countryside of late spring blossoms into summer in choreographer Frederick Ashton's idea of splendid Suffolk.

When country beauty Lise falls in love with farm lad Colas, she’s about to upset the apple cart. Her mother, Widow Simone, has her own ideas about who her daughter should marry. Enter Thomas, a pompous and wealthy vineyard owner. And Alain, his rich son – attractive as a potato, smart as a turnip and the proud possessor of two left feet. It's like a summer pantomime of the ballet world, a lighthearted tale with predictably hilarious results.

Michael O'Hare is rich farmer Widow Simone, the 'dame' is at the heart of the piece, plays for laughs as the dame would do but delights with an impressive clog dance. The widow's daughter Lise is danced impeccably by Nao Sakuma, who after joining the company in 1995 was promoted to principal in 2002 and her experience shows. It is most difficult to turn attention from her to other delightful distractions such as a brood of chickens.

The colourful production is perhaps at it's best when all artists of the Birmingham Royal Ballet dance as one. At one point there is an impressive dance around a maypole and a cute flute dance lead by Lewis Turner who always manages to light the stage with a charming smile. Equally as a charming is César Morales who is a strong lead as Colas. 

An exciting edition to the cast is a beautiful Shetland Pony who appears one more than one occasion, provoking prolonged bouts of "awww"s.

This is a thoroughly entertaining ballet with a plethora of delights. A perfect introduction to summer at Birmingham Hippodrome until Saturday 14 June - click here to book tickets. Also at Nottingham Theatre Royal 25 - 28 June, click here to book. 

Review | DARKNESS & LIGHT (Birmingham Royal Ballet) June 2014

There is little more that excites my theatrical mind than the idea of Birmingham Royal Ballet triple bill. What you can always expect is a varied yet relevant collection of works. Here, three ballets by Frederick Ashton contrast in themes of darkness and light - hence the collectively named trilogy. 

The first, Les Rendezvous is a delightful dance to the backdrop of Anthony Ward's simplistic park setting. Friends meet, and it has no serious portent at all. It's pleasant, charming and the portrayal of idyllic life. This is one that is so easy to lose yourself in - the fusion of colour and of energy - it's like Disneyland. A fantasy land that is introduced, enjoyed and over within 24 minutes. 

As with all of the three ballets, they're finished within little over 20 minutes each. They're perfect,  concentrated little pieces that don't leave you looking at your watch, or fidgeting to find a different position for your feet! These would make a perfect introduction to ballet. 

The second piece, Dante Sonata is quite obviously the 'darkness' ... it is a battle between the Children of Light and the Children of Darkness and is of much harsher tone. First performed in 1940 at the Sadler's Wells Ballet, this wartime creation explores torment and shame and is clearly the ballet of real power. 

The third ballet lightens the mood once more - Façade, a joyous celebration. It felt almost as if it was happening in a Mary Poppins film, it was random, colourful and cute. Ruth Brill is brilliant as The Milkmaid, it was like Coppélia. Humour was provided by the excellent Lewis Turner and partner Kit Holder who perform Popular Song in a perfectly synchronised act. 

See a rehearsal video for Façade.

Darkness and Light is the perfect blend of ballets, varying styles, paces and themes - all three ballets within a succinct 2 hours. Don't miss them at Birmingham Hippodrome until Sat 7 June. Book tickets here. 

Review | LORD OF THE FLIES (UK Tour/IDFB) May 2014

Three years on from the original project developed by New Adventures, Lord Of The Flies is reborn... or maybe that should be Re:Bourne. The emerging talent programme from Matthew Bourne's New Adventures aims to nurture and support young people with a passion for movement. The idea is to break down possible perceptions that dance is often seen as unfathomable, elitist, over technical and intimidating, all whilst creating an inspiring piece of theatre, of course.

Choreographed by Olivier Award-nominated long-term company member Scott Ambler, this rework of William Golding's Lord of the Flies features professional dancers and 24 local boys. No longer set in the desert island, this appears to be some mystical world within the theatre itself. You come to expect with any Bourne production that the obvious is disregarded. 

The lights crash out as a mass ensemble of smartly-dressed schoolboys enter. At first it's perhaps a little overwhelming, there's a lot going on and so much to look at but that's particularly important to the projects aims. Throughout the piece a 24-strong ensemble are featured just as much of the smaller cast of professional dancers. They're not support or backing just to fill out the space, they're very much involved and expertly take on Ambler's thrilling choreography. At first they're great at the synchronised movement but as the plot twists and darkens these boys that had first enjoyed freedom turn savage and it's especially interesting once given the opportunity for greater experimentation of movement.

The freedom and opportunity for creativity is perfect here, for it's there within the story. It's one that is relevant to young boys and they are much more likely to identify with this than some fluffy fairytale. The whole piece is cleverly conceived - it becomes difficult to distinguish between professional and local dancers, it's edgy, it's rough, it's nothing like you've seen before, but it works and music by Terry Davies is compelling - almost hypnotic. The original story is excitingly reimagined in a style that's most unique, a blend of ballet, contemporary and an imagination native to this company. The excellent local ensemble are lead by professionals Jack Hazelton as Maurice and Danny Reubens as Jack who, with extreme strength and skilful storytelling ability command the stage and on many occasions leave you transfixed. 

60 years since the original publication of the novel, it's perfect timing for a celebration. Not only a celebration of the classic tale but of the boys, all of whom will be the minority in their dance classes  and here they're given their time to shine and what better stage than at Birmingham Hippodrome. By the curtain call, it was most clear that this was something very special to both the cast and the audience of almost full capacity. It's madness, it's genius and a difficult experience to sum up. Go and see it and you'll understand. See Lord Of The Flies at Birmingham Hippodrome until Saturday 17 May, book here. 

Cast List: Jack Hazelton, Sam Archer, Leon Moran, Luke Murphy, Dominic North, Sam Plant, Danny Reubens, Layton Williams, Dan Wright, Will Cornish, Khalid Daley, Ethan Daly, Jack Dologhan, Joel Fossard-Jones, Jacob Goodchild, Brad Guest, Tom Hammond, Dereece Leigh-Gayle, Declan Lewis, Fenton Lockley, Alexander Love, Enrique Ngbokota, Harry Ondrak-Wright, Callum Osbourne, Zach Parkin, Harvey Powell, Ben Powney, Nat Sweeney, Hugo Von Fragstein, Louis Williams, Chris Wilson.

Review | ROCK OF AGES (UK Tour) May 2014

The 80's... the decade of power ballads and rock Gods … there was bound to be a musical about it and what is currently the 30th longest-running show on Broadway started life in Los Angeles 2006, transferred to Broadway in 2009 and West End in 2011 - Rock Of Ages is now playing cities all over the UK as part of a major tour.

The musical follows Drew (Noel Sullivan) who we meet in The Bourbon Room club, dreaming of being a rock star. He immediately falls for Sherrie (Cordelia Farnworth) who confuses his shyness as disinterest and has a fling with the vainglorious lead singer of rock band Arsenal, Stacee Jaxx (Ben Richards), it all goes wrong, it all rights itself... it's sex, drugs and rock and roll. 

The plot falls, overpowered by the string of hits - it's probably for the best as it doesn't allow for too much investment in the characters, there's nothing too deep as to discover more about them or time to see them do little more than sing, but they own up to that. This isn't a musical to lose yourself in, it's two and half hours of rollocking rock! 

Noel Sullivan impresses as Drew, he returns to his We Will Rock You roots here and is just as comfortable strutting, head-banging and belting out rock ballads than he was in a recent role, skipping around in showgirl tits and feathers in Priscilla Queen Of The Desert. He proves to be an accomplished, versatile performer. Ben Richards is suitably sexy, seductive and everything you'd expect of a lead singer in the role of Stacee Jaxx. Rachel McFarlane as Justice Charlier is a great addition, she's like the Killer Queen of rival rock musical, strutting around in a long coat and sparkly corset - she can belt, yet perhaps the more tender Every Rose Has It's Thorn is one of the show's highlights. 

Jessie May makes a great Regina, coupled with the comedic Cameron Sharp who relishes the role of camp German, Franz. They receive the best reaction with Hit Me With Your Best Shot - a surprise reveal and a long overdue rousing of the audience to whom Stephen Rahman-Hughes' emcee Lonny is a firm favourite. There's an energetic ensemble lead by dance captain Russell Smith and a whole-cast finale of Don't Stop Believin' brings the house down, the band are excellent.

It's all tongue-in-cheek, it's all cheesy but ultimately it's fun. If nothing more, Rock Of Ages is a great opportunity to just let go and rock out with an incredibly impressive West End cast. Get your air guitar, and head for New Alexandra Theatre Birmingham to rock until Saturday 17 May - book tickets here. 

Cast List: Ben Richards, Noel Sullivan, Cordelia Farnworth, Daniel Fletcher, Stephen Rahman-Hughes, Rachel McFarlane, Jack Lord, Cameron Sharp, Rakesh Boury, Imogen Brooke, Abigail Climer, Tom Andrew Hargreaves, Jessie May, Stephen Rolley, Kylie Michelle Smith, Russell Smith, Chris Southgate, Charlotte Anne Steen, Tara Verloop.

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Interview With Cameron Sharp

Review | WATER BABIES (Leicester Curve) May 2014

Water Babies - the Victorian novel and 70's animated film about a boy who plunges into a river and meets aquatic children received it's world premiere at Leicester's Curve Theatre. With ambitious technology and an impressive West End cast, the highly anticipated musical has a lot to live up to.

Directed by Ed Curtis and Guy Jones, Water Babies follows the story of Tom, a young chimney-sweep, convicted of a crime he did not commit. He escapes into a river to find the Water Babies who must help him in his quest to be reunited with love Ellie. It's almost the story Peter Pan, but underwater...

The story is overseen by the magical presence of the Fairy-Godmother character Mrs D (Do-As-You-Would-Be-Done-By), played by Louise Dearman who is warm and welcoming as the mysterious female figurehead. No stranger to that sort of role, having previously played Glinda in Wicked, Dearman is perhaps a little underused here, but whenever she sings, we are reminded that she is indeed one of theatre's greatest talents.

Waterloo Road's Thomas Milner is a great young lead and as the 'Peter Pan' of the show, he has all the required traits. He's wide-eyed, cheeky and despite of only a short initial meet between him and love interest Ellie, Milner manages to create a sweet connection with Lauren Samuels who is perfectly cast and in fine voice throughout. There's a really impressive duet between Samuels and Dearman - Waiting For You.

The most exciting characters come in the form of Jock - a Lobster (Andy Gray), Claude - a Swordfish (Tom Davey) and Terrence - a Seahorse (Samuel Holmes). All three glide around the stage on customised bikes and a scooter, decorated to further suggest each type of creature, it's very clever and wonderfully imaginative. Holmes especially is fabulously flamboyant and earns most of the laughs from an audience of families. Tom Lister is perfectly cast as the Electric Eel, flipping between what must have been ten different accents and sings a great number - Friends In High Places with the impressive male dancers.

The excellent ensemble showcase their versatility throughout and particularly shine as the Water Babies themselves, each bringing their own characters forward, they're charming, endearing, clearly having fun and they're just as fun to watch.

Also fun viewing is the screen upstage which is multi-functional. Often used to depict underwater scenes when actual water isn't practical it's also used to make characters appear and disappear in a burst of bubbles. The hologram technology is the best I've seen on any stage. Used mainly for the appearance of Richard E. Grant as the Kracken, you'd easily be fooled into thinking he was actually there.

There's one recurring musical underscore that is very remindful of The Little Mermaid and it's apparent that the show utilises elements of other successful musicals, notably The Lion King's use of puppets and Wicked's style of costuming. It's a theatrical conglomeration, but it all works within the concept and set  against Morgan Large's beautiful scenery and stunning waterfall, the production is a visual delight.

It's great that someone believed in Water Babies, this is a story worth telling but one that I don't think many would have bothered with. It's difficult to combine an 1862 Victorian novel with the necessary 21st century technology and make it all harmonise, but it does work and the end result is definitely of joy in seeing a new musical, traditional in feel yet contemporary in production.

Water Babies is definitely something special. Yes, there can be improvements, but it's clear that an enormous effort has already gone into this, a show that is full of heart, wonderful imagination and deserves a chance. A lot of new musicals take risks and aren't rewarded with a future, it would be a terrible shame to see this sink. Support the incredible team behind Water Babies at Leicester Curve until Sat 17 May 2014. Click here for tickets.

Watch the trailer for Water Babies and listen to some of the music below:

Cast List: Louise Dearman, Tom Lister, Thomas Milner, Lauren Samuels, Andy Gray, Samuel Holmes, Tom Davey, Caroline Deverill, Jeffery Harmer, Matthew Gent, Robbie Boyle, Matthew Caputo, George VCarling, Jorell Coiffic-Kamall, Cristina Hoey, Rebecca Jayne-Davies, Sienna Kelly, Marianna Neofitou, Morgan Scott, Marcquelle Ward, with Michael Denvir & Richard E. Grant

Review | SÉQUENCE 8 (IDFB) May 2014

Groundbreaking Montreal circus company Les 7 Doigots de la Main (The 7 Fingers), present Séquence 8 as part of International Dance Festival Birmingham at The REP. Created in 2012 by the company who directed the first segment of the Sochi Olympic Games Opening Ceremony, the piece is billed as an exhilarating race through the furthest reaches of acrobatics, circus arts, dance and theatre... and it is!

From the moment it begins you'd be forgiven for thinking someone had turned the gravity off... if it wasn't for the fact you're still firmly in your seat, you might believe it. The ensemble leap into the space after an introduction from Colin Davis - it's all very aspirant and begins almost like a University  showcase... you know those assessments which are awfully experimental and nonsensical? But it's purposely playful and soon develops into a solid 90-minute piece that explores relationships and how we define ourselves through and against the idea of the 'other'.

Alexandra Royer impresses early on in a heart-stopping routine on the Russian Bar. The bar, resting only on the shoulders of two other performers, wobbles, bends and hurls her into the air - landing perfectly every time, of course. Maxim Laurin shows extreme strength as an aerialist hanging from his ankles on a trapeze... it's a theatrical circus, a re-imagined and contemporary home for the age-old skills. 

Eric Bates is good at the harmonica, chess, cooking, break-dance, skateboarding, but here we see  perhaps his most impressive avocation... his specialty of cigar-box juggling - for which he is considered one of the best in the world. It's mesmerising and I'd still believe those boxes were magnetic... 

Alexandra Royer is expert at the aerial hoop and whirls around the stage, almost as if running through thin air, it's most beautiful yet almost unbelievable. That's the case with pretty much all of this show, boundaries are pushed until just about the limit with fascinating results. 

Just as Physical Theatre is often acting through dance, this is acting through circus and acrobatics... It 's delightfully fresh and manages to guide us through a narrative, trick after trick. There is much enjoyment from seeing a story come together through what at first seem unconnected displays of circus performance. There are no clowns here, just serious fun. 

You can see Séquence 8 at Birmingham REP as part of International Dance Festival Birmingham until Sat 10 May. Book tickets here. 

Watch a preview here:

Cast List: Eric Bates, Ugo Dario, Colin Davis, Devin Henderson, Alexndra Royer, Maxim Laurin, Camille Legris, Tristan Nielsen. 

Review | WEST END SWITCHED OFF (Album) Vol. 1 - April 2014

At a time when new musicals are struggling to sustain themselves and the old ones are loved - but hardly fresh, the young team behind new album West End Switched Off may have have just come up with a winning formula. Success, at least in this case, is not by risking new, unfamiliar territory but revisiting previous musical triumphs and breathing new life into them with the best from the current West End talent-pool.

Following a launch performance at St James Studio, the first in a series of albums is released. A relatively new company, Parallel Productions - produced by Kris Rawlinson and assisted by Ed Theakston - brings together an incredibly accomplished line up of musicians and performers to arrange musical theatre songs that you know – and a few that you may not – into unheard acoustic, ‘unplugged’ covers.

The popularity of 'Live Lounge' has finally found it's home in the West End and Simon Bailey (I Can't Sing, Phantom Of The Opera, Les Misérables) begins the album with a surprise version of Part Of Your World from The Little Mermaid. A rockier sound to the original, it's fun and a perfect opening song to set the tone for the rest of the album. Traditionally a female song, what this does and what the album continues to do is let anything go, it's experimental and challenges the songs origins, offering a fresh perspective that delights at every moment.

Next, Tori Allen Martin sings Touch Me from Spring Awakening, the song about expressing desires for physical intimacy, not one you'd often find on a musicals compilation, but Martin delivers a sensual, haunting sound that remains lustful with plenty of opportunity for the vocal to simply flow.

Ian Stroughair

From his heavenly performance of Angel in the recent concert tour of RENT, Ian Stroughair hots things up with Judas' Heaven On Their Minds from Jesus Christ Superstar. It's followed by Wicked's Ashleigh Gray with Somewhere Over The Rainbow. You'll have heard several versions but with such faultless vocals, there is every reason for this beautiful rendition to contend with Garland and Cassidy.  Equally as beautiful, Nothing Stops Another Day from Ghost The Musical, effortlessly performed by Ambra Caserotti (RENT, Cockpit Theatre) is next. Fans of Ghost shouldn't notice too much a difference between this and any Molly they've seen on stage - it's just as powerful and if not, more so, given the intimacy of the set-up and expert arrangement.

Dale Evans

The albums biggest change in tone is Dale Evans' Stranger In This World from the Boy George musical Taboo. Evans, who will covering the role of Chris in the revival of Miss Saigon has recently been seen in From Here To Eternity the musical. A recent graduate, there is no inexperience, one of the most powerful performances and definitely one to look out for.

Perhaps the most reinvented song is You Can't Stop The Beat, sung by Hairspray's long-serving Seaweed, Adrian Hansel. What is so clever about this particular track is that it bares resemblance to the slow groove that the kids dance to in the detention scene. In-keeping with the musical's own sound, it is cleverly re-invented, completely relevant and yet couldn't be further from the high energy, no-time-to-breathe finale of the musical.

Defying Gravity... I don't think there's been a musical theatre concert since 2006 that hasn't featured someone trying to belt it out like Idina and yes, it has to be on the album, but here - you're safe. The traditional two-female duet is here performed by Thomas Suttcliffe and Chlöe Hart. The only duet on the album, there's great opportunity for harmony and the mix of male and female voice is a real treat.

Jodie Steele

Currently wowing audiences across the UK as Carmen Diaz on the tour of Fame The Musical is Jodie Steele, riffing her way through Footloose's Lets Hear It For The Boy. This is the track that'll have you tapping your feet, it's girly, it's country, it's fun. She has a phenomenal voice and must return for the second album with a version of Fame's In L.A. - that's my request in!

Katie Hall (Phantom Of The Opera, West Side Story) sings Bring Him Home from Les Misérables and Falsetto King Jordan Lee Davis concludes the album with Summertime - Porgy & Bess. What's great about both of these is that you'll never hear these versions within the musical. Valjean is never going to be female and last time I checked, Jordan Lee Davis wasn't a black woman... it's unique and just an absolute joy to listen to. You'd struggle to find better.

The album's biggest strength is that although these are reduced orchestrations, stripped back and laid bare, each song could easily replace it's original within the musicals. Rawlinson's genius rediscovery of some of theatre's classics allows for much more of the emotion, the original message and the talent to shine through. Nothing is overwhelmed, it's from the heart and this album is the very reminder of the talent in today's West End, both currently and upcoming. If this is just the beginning then I'm very much excited by the future.

CLICK HERE to purchase the album.

Chlöe Hart: "When I was approached about taking part in West End Switched Off and learnt what the concept was I was totally excited, I love the idea of songs being rearranged and interpreted differently, and then I was told which song I would be doing and I got very nervous! It's a very VERY well known song and there have been many versions of it done before. However when I heard the new arrangement I got excited again! It's so different to any other version and Kris Rawlinson, our genius arranger and MD had so many brilliant ideas. He also allowed us all to add our own little touches which means it feels really personal. If you are expecting a generic musicals complication album, this is not the one, but if you want something fresh and innovative then go for it! I don't think you'll be disappointed!"

Hope that WEST END SWITCHED OFF becomes a regular fixture. I'll be back for more if/when it is!
— Mark Shenton (@ShentonStage) April 27, 2014

For more information visit www.parallelproductions.co.uk or follow Parallel on Twitter @ParaProd.

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THE MIKADO (Battersea Barge & The RISE Leicester Square)

Jamie Chapman Dixon (behind recent Molly Wobbly) & Nick Martland bring you The Mikado. The classic Gilbert & Sullivan show, directed by Drew Baker is set in a lady boys nightclub in downtown Bangkok, with choreography by Holly Hughes, all sorts of fun and frolics are unfolding. 

Cast

Anton Stephans as The Mikado

Katisha – Molly Marie-Walsh

Ko-Ko – Michael James Porter

Pish Tush – Harry Wright

Yum Yum – Jade Spivey

Nanki Poo – Oliver Metcalfe

Pooh Bah – Niall Rooney

Pitti Sing – Natalie Bush

Peep Bo – Ellie Self

Ensemble: Jamie Papanicolou, Marc Gee Finch, Joseph Foyster. Dean McCullough, Perri Hanson-Wilde, Rachael Lea-Gray, Emily Barnett-Salter.

See the show at Battersea Barge from 5 - 8 May. Book tickets here.

* JUST ANNOUNCED *

From Mon 19 - Thurs 29 May, The Mikado transfers to The RISE, No 1 Leicester Square in a new and exciting site specific production. On you arrival you will take the VIP lift into an active club where you will be served by lady boy waitresses and waiters until the show begins. Will Katisha get her man? will Nanki Poo get his girl? will Ko-Ko become a full-time lady boy? Join us at The RISE, No 1 Leicester Square to find out! (next to M&M World)

With tickets at £15 and student tickets at just £5 you really cannot miss The Mikado in this new and exciting setting. Book tickets for The RISE transfer here. Booking fees apply.

Vincent & Flavia's DANCE 'TIL DAWN (UK Tour) Review April 2014

It's the golden age of Hollywood dance, film-makers putting song and dance on the silver screen. Far from the late night bar of Buenos Aires (the setting of previous hit Midnight Tango), the formidable pair take to the stage in 1940's L.A. as Sadie Strauss (Cacace) and Tony Deluca (Simone) - the romantic leads of a comedy about a beautiful starlet and her handsome beau.

Talking through proceedings as the narrator Tommy Dubrowski is Teddy Kempner, a favourite who returns from Midnight Tango whose humour is both clever and welcome. The need for frequent plot updates is perhaps unneeded, there is excellent narration within the choreography - however, Kempner is expert at breaking up the already succinct action with witty one-liners, There is a comedic rapport with the excellent Abbie Osmon as Lana, who must get her hands on incriminating photographic evidence of her fling with Bobby Burns - the man Sadie is contracted to make films with... but of course she follows her heart (thankfully!) and teams with Simone's Tony Deluca. 

The Strictly duo are effortless in rhythm, pace and finesse, completely at one with the soundtrack - the perfect blend of 'tangoed' favourites such as Moon River, Stand By Me and more recent hits Paolo Nutini's Pencil Full Of Lead, Caro Emerald's That Man and Bruno Mars' Runaway Baby is a great, high-energy climax to Act I. The live band are excellent and the perfect accompaniment to Oliver Darley's fine vocal. 

There is an incredibly strong ensemble who master all aspects of the piece co-choreographed by the Strictly professionals and Karen Bruce, who also directed. The evening feels very much like entertainment on a cruise ship - in the best possible way and by no means derogatory - it's glamorous, it's luxurious. That feeling you only get on holiday somehow takes over you in a night of excitement, sophistication, beauty and passion. 

Dance 'Til Dawn is the perfect blend of styles and theatrical mediums and for this it's almost certainly better than the excellent Midnight Tango. It's a dance show, that is a musical, that is a masterpiece.

See the show at Birmingham New Alexandra Theatre until Saturday 26 April 2014. Book tickets here. 

Cast List: Flavia Cacace, Vincent Simone, Oliver Darley, Teddy Kempner, Abbie Osmon, Faye Best, Tyman Boatwright, Ivan De Freitas, Carly Mercedes Dyer, Ben Harris, Jamie-Rae Hartshorne, Annie Kitchen, Stephanie Powell, Tom Scanlon, Giovanni Spano, Danny Stowell, Gemma Whitelam, Anna Woodside. 

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EVITA (UK Tour) Review April 2014

The second leg of a UK tour for Evita sees the production visit Birmingham for two weeks, where the breathtaking musical is set to stun audiences most certainly. 

Tim Rice and Andrew Lloyd Webber's musical adaptation of Eva Perón's life story is once again fronted by Portuguese singing sensation Madalena Alberto. From flirtatious, brunette latino girl, to the blonde high-flying woman of business, Alberto completely encapsulates each moment of the brutal, tragically short life of Eva Perón - spiritual leader of the nation. 

Cynically assessing the immediate mourning of Evita's death is Che Guevara - the Argentine Marxist revolutionary, Wet Wet Wet singer Marti Pellow. Che is a demanding sing and Pellow ploughs through the score with ease and holds a mightily impressive last note in 'And The Money Keeps Rolling In'.  Whilst he may not be the most obvious choice for the role, Pellow's less angry, more subtle tones accompany the sarcasm of his words and create a character that is not only narrating but forewarning. Mark Heenehan remains a strong addition as Perón and Nic Gibney's impressive vocal range is evident in his few outbursts as the less-often featured but crucial character, Magaldi. One of the productions stand-out moments comes from Sarah McNicholas as Perón's Mistress and her beautiful version of 'Another Suitcase In Another Hall'.

A strong ensemble play a variety of roles - with ample time to showcase their versatility. In particular, Perón's Latest Flame is a strong group effort - regimented choreography executed with the tightest of timing. I wouldn't say Evita was a dance musical, but this dynamic, energetic and enthusiastic ensemble make sure it's worthy competition.

Madalena Alberto proves to be the ultimate Eva Perón and makes her way through the powerful and demanding score with effortless conviction. From the steamy and fast paced partying in Buenos Aires to the tender, fragile final moments upon her deathbed you'd be forgiven for thinking you saw two different people - the contrast is almost unbelievable.

The score is most beautiful and played by a fine orchestra - combine with an incredibly talented cast such as this and the audience are well and truly drawn in. You cannot help but fall in love and have your heart broken by Evita. Do not miss the musical masterpiece at Birmingham Hippodrome until 19 April. Get tickets here.

Cast List: Marti Pellow, Madalena Alberto, Mark Heenehan, Sarah McNicholas, Nic Gibney, Michelle Pentecost, David Brewis, Verity Burgess, Errol Clayton, Joel Elferink, Callum Fitzgerald, Alyn Hawke, Ryan Limb, Joe McCourt, Anna McGarahan, Stuart Maciver, Ceili O'Connor, Lizzie Ottley, Olive Robinson, Chris Stoddart